Juice
Monday, December 23, 2024
It's nice sometimes, if you've got Christmas decorations representing different fashion trends from different decades, and they're all snuggly nestled on the same shelf together, and you still recall the different trends even if not quite so precisely, and still celebrate the memories, reminiscent of yesteryear. ⛄ ๐
Labels:
Christmas,
Christmas Decorations,
Christmas Trends,
Trends
Sunday, December 22, 2024
Saturday, December 21, 2024
Mistletotempathawalkway
Ollicoriantlaredo ๐๐ช
wambivaliansleigh survezo ๐ท
lightninjingle bellicoasting ๐ฉ
prezensual ribbon-roasting ๐
cratchai-levaludichรดmur
fredisongurrgoil bonhumber ☃
Scrougazoo-laitubaloo ๐ป
timonestuar-dormez-vous ๐
accrous-cous-schtique-nique carollcauldron
puddimpulpyta lozingzong
or'chest-cetera frankinsense ๐ช
bayuletimbrittle ne'qwadence
glad tidings festive joyful cheer ๐ผ
reverberating far and near ๐
with sundry family and friends ๐
share Merry Christmas dividends! ๐
or some such pleasant tradition. ๐
Friday, December 20, 2024
Transformers One
Tough and experimental young friends resiliently attuned to calisthenic mischief, bored with their jobs and inherently curious about the political composure of their planet's temperament.
They work in the mines digging for energon without the requisite cogs which enable transforming, carefree and dreamy yet brave and self-sacrificing they function with enterprising inquisitive accolades.
Yet as their heroics win them applause their planet's adored leader isn't quite so impressed, indirectly banishing them to an unheard of sub-level where they find themselves managing disregarded waste.
Appropriately, after making new friends, they soon courageously travel to their planet's surface, in search of the long lost matrix of leadership, the location of which may have been revealed.
Further distress despondently awaits them in the inhospitable lands terrorized above, as the treacherous nature of their belovรฉd leader is freely showcased by a legendary warrior.
To inform their brethren that they were meant to have cogs and that their tireless labours simply profit hostile aliens, definitively emerges as a compelling mission to which they immediately respond with vociferous stewardship.
A revolutionary tale tempestuously told to harness innate hard-working nobility, bold transformations multivariably brandishing integrity and exception across the land.
The citizens denied their honest fair share of the spoils of their labours react with indignity, and collectively express their enraged disapproval with rebellious instinct and distinguished resolve.
Certainly focused on Transformers the sentient robotic aliens fuelling, narrative discord aggrieved animation improvised cognizance intermingling microbes.
Unfortunately, their inspired insurrection leaves Orion Pax and D-16 at odds, the classic Professor X/Magneto dialectic reemerging with democratic/authoritative repercussions hemorrhaging.
It reminded me of Coruscant in Attack of the Clones when Skywalker and Kenobi chase down the bounty hunter, and ye olde "splinching" from the Harry Potter films when the newfound Transformers have issues changing.
Indubitably textbook evaluations of open-minded leadership resiliently tested, no doubt applicable to political studies should they seek exemplars of seditious tales.
Sad to see the flourishing enmity as it's coldly birthed in revolutionary flames.
To be spread far and wide from planet to planet.
Megatron and Prime at odds thereverafter.
Labels:
Age,
Betrayal,
Devotion,
Friendship,
Josh Cooley,
Love,
Revolutions,
Spectacles,
Transformers,
Transformers One,
Working,
Youth
Thursday, December 19, 2024
Four Christmases
Vacation plans imperceptibly tantalizing quickly approaching festive holiday breaks, time to spend relaxed and stretched out elaborately elongated upright tenements.
Traditional visits to old school loved ones siblings and family and nieces and nephews, incrementally harmonizing habitual happenstance gregarious growth uproarious sentiments.
But some imaginative couples creatively manifest alternative arrangements, to sneakily avoid the routine remonstrance and inconsolable awkward confabulations.
To Fiji they furtively plan to gallopingly go sans limitations, to lazily bask in freeflowing sustainable enriching waters immersive acclamations.
Yet when they reach the airport on Christmas Day in fact no less, ominous fog discourteously blankets the surrounding skies with opaque languor.
To further frustrate their Scroogey mendacity a local news station suddenly broadcasts them live, their relatives witnessing the distressing surprising grouchy exchanges on their televisions.
Soon it's off therefore to reminisce with emboldened blood and the next generation.
Neither member of the couple prepared.
For what they're soon to learn about one another.
Immaculate bliss once exceptionally adorning their perpetual ensconcement in each other's arms, far away from the orthodox torments unsettlingly facilitating unrestrained fury.
They are quite different people leading quite different lives from different points of view, but does that hardboiled multivariable eclectivity not also inspire romantic love!?
The film did seem dialectically dis/oriented to either champion or lampoon family, synthesizing the divergent concepts throughout with varying degrees of symphonic success.
Was the spirit of Christmas beatifically bound to bring them wholesomely together, to optimistically unite, to generously generate raw animate excursions fluidly fuelled with maladroit mallow?
Offbeat ridicule flamboyant caprice rambunctious sincerity disconsolate diatribes, randomly revolving with road weary rubber gallantly peppered through a hard day's night.
Unpredictable fanciful variety.
At home for the frosty holidays.
Eggnog and shortbread and willow.
Endless timeless specials!
Labels:
Christmas,
Family,
Four Christmases,
Frustration,
Love,
Lying,
Marriage,
Relationships,
Seth Gordon,
Siblings,
Vacations
Wednesday, December 18, 2024
The Prince of Egypt
Misjudged the title of this one.
I thought it was going to present an old school Egyptian tale, one that I'd never heard before, and offer insights into the culture that definitively flourished for agile millennia (I'm curious and I don't know that much about it).
Obviously that wasn't the case and The Prince of Egypt is in fact Moses, and the film examines the famous Exodus that led the Jewish people to new lands.
I was still surprised to see a cartoon showcasing such a revered and solemn tale, with animated pluck and illustrated mischief not grim and stately sombre discord.
Moses is a bit of a punk and habitually revels at play within, causing great disturbances as he teases Ramses who may inherit the civilization.
Ramses is worried because his absolutist father isn't quite so sure he would govern wisely, that he may be too soft indeed to effectively administrate something so vast and historically imposing.
Moses assures him he'll be okay before running into his actual family, who left him freely cast adrift on the fertile Nile so long ago.
Upon discovering his Hebrew roots Moses reacts with sympathy and compassion, for an enslaved people sincerely struggling to maintain balance and upbeat order.
He leaves his life at the palace behind and takes up their cause with concerted gusto, notably after God commands him to nimbly help his struggling overlooked and crippled subjects.
I don't mind interpretive takes on biblical legends postmodernly accentuated, the literal accounts and associated stories often coming across as far too dull.
In an age of multivariable invention is it not crucial to flexibly adapt, and even embrace alternative interpretations reflexively recharacterizing biblical myths?
When I consider that Moses parted the Red Sea for instance and I imagine it through a parliamentary lens, it's as if the centre-left-red wanted the Hebrews to remain in Egypt, and at one time the far-left-red agreed with them.
But then Moses's messianic savvy was able to convince the more compassionate far-left-red otherwise, and as the red politicians at large debated his clever points, the Jewish people escaped emergent and free (the government wasn't paying attention because it was arguing so much).
It actually sounds a lot cooler with the sea being parted by a sympathetic God.
But is that the only way the story can be told?
For a God, wouldn't it be boring?
Tuesday, December 17, 2024
Piccadilly
A popular night club routinely offers exceptional dynamic crowd pleasing performances, its dancers showcasing sundry coveted moves and flourishing finesse with fluid elegance.
The spice freely flows the rhythms distill freeflowing upbeat pleasant fun merrymaking, half their tables zealously reserved (by noon) intense sprightly jocose reliable industry.
But as so often happens, the urge to change one's steadfast surroundings bluntly coaxes, and one of the famous sought after dancers decides he'd rather entertain North America.
The blow is indeed distressing as dependable revenue streams quickly dry up, his equally flexible former partner remaining but not enough of a draw to firmly bring hundreds in.
Then one night an ornery client vehemently complains about a stain on his plate, which prompts the owner to visit the kitchen the scullery in fact where he finds a new spectacle.
Soon the act is passionately displayed for the curious public who responds with praise, the newfound sensation turning critical heads and swiftly redefining the business's mantra.
But the old act once incredibly loved isn't as willing to be warm and pleasantly accommodating.
The owner caught between the stubborn lithe rivals.
Following his heart, wherever it leads.
Several decades before the Civil Rights Movement emerged with formidable vigour, Piccadilly sought to break down race barriers with a bold and courageous daring silent film.
Released in England not the United States and in British cinemas not on American television, it still predates William Shatner and Nichelle Nichols's kiss by almost a dashing and carefree 30 years.
I don't know enough about silent films so I'm not sure if such stories were often told at the time, I just know from my own observations that I've rarely seen interracial tales pre-1960.
Pioneering no less and also cool to watch it's still a captivating film, I was interested to see something starring Anna May Wong after she appeared on the American quarter.
She was tired of being typecast in early Hollywood and moved to Europe to find more diverse roles so I'm told, bravery rewarded in this instance at least she clearly steals the show in Dupont's Piccadilly.
If curious about silent film and alternative ways to tell compelling tales, it's worth checking out for sure with many of its themes still resonating today.
Monday, December 16, 2024
Sunday, December 15, 2024
That is precisely the kind of Broncos win I'm talking about! With a head coach as solid as Sean Payton, surrounding himself with other incredible coaches like Vance Joseph, the entire team plays well every Sunday, and Bo Nix can learn and grow as the defence keeps Denver competitive throughout the game.
Amazing win!
Go Broncos Go! ๐
Saturday, December 14, 2024
Figurro-sl'eighridollchezva
Cirquiche-fritezy-marshmitemallow ๐ช๐
swambigooigleefulshallows
immertzither rhythmicrobal
alleggrogamo lithermal ๐ชบ
tabululibation vinuts ๐ท
noisettiquรชte daytonairbus ๐ฉ
chillibluster barnonkarat
g'ole-linearthwรผrmserquamkat ๐ชฑ
anvillagelum'entre-nous
upique-ni'que-ampulsideshowroom ๐
versambrose-saturnstyle circluster ⏺
crono-yolk-utitanthruster ๐ฅ
deermousse-fracabooster-juice ๐ฆ
rudolfinnagle-rouge-snowroute ๐❅
on-dashingrille-panhandlebars
away-rhiSanta-Fรฉ-zonar ๐
walneurobotanise-ร -kietsch-weetch. ๐ชด
Friday, December 13, 2024
We live in Time
Temporal constraints motivating and hindering the progressive development of vigorous contemplation, the ticking-clock accentuating bold constructive split-second or strategic plans.
The resonant calm seductively sustaining positive thoughts multivariably exercised, tantalizing fruition anticipated and swathed as definitive timelines filter and structure.
The potential for limitless editing as mischievously suggested by Mr. Orson Welles, also provides lithe and tempting bearings to the infinite reimagining of spiritual studies.
The thriving possibility the interminable tantrums the heuristic horizons the enchanting escapades, demonstratively connecting interactive achievements intermittently coalesced through spontaneous reinvention.
A play's history the variety of performances exceedingly relates to unlimited mutability, the contemporary difference the hubris assumed fantastically enabling bright ahistoricity.
We Live in Time we adapt and age as newfound challenges and developments alter, well-rounded paths and convincing philosophies economically synthesized through cultural schemata.
We Live in Time the inherent ridiculousness of geologic masses imperceptibly duelling, inspiring romance and chaos and tragedy as biological rubrics scale and rupture.
We Live in Time the capricious seasons habitually recalling tracks and trajectories, temperate enlivened invigorated festive potentially sentimental breezes crazing.
We Live in Time emergent generations interactively communicating multifaceted alternatives, incongruously compiled in abounding treatises ephemerally delineating temperate eternity.
What a gamer, this determined Almut, who refused to yield even though she had cancer, who still competed in an incredibly demanding event even though she might suddenly die.
The forecast wasn't hopeful but she still may have lived if she had taken it easy, but if she had done so and missed out on the challenge and still passed, it would have seemed so utterly unbearable.
Cooking mind-blowing meals that one feels sincerely embarrassed to eat, like you're devouring Deutschland Cafรฉ XIII perhaps while discussing the weather with someone who isn't listening.
It'd be fun to compose a poem while examining and appreciating such a meal in real-time.
A picture will have to do for now.
Dazzling and light, endearing forays.
Thursday, December 12, 2024
One difficult thing to find during the Christmas season can be time. If I'm heading out to buy gifts, I always make sure to leave myself at least 4 or 5 hours to look for the perfect items. Sometimes something strikes me right away and I think, egads, what exceptional luck, but I find if I pass on the initial salient item, while bearing it in mind of course, I often find even more unique gifts as the hours pass, and gently nudge me, to buy them all. It's good to plan one outing for two or three weeks before Christmas, just in case you need to go back from one reason or another. It's tough to find 5 open hours twice in the same week, but not as difficult to do twice in a three week span of time. ๐
That Christmas
Awkward alternatives bravely manifest upon a far off inventive seaside stage, where newfound bold uncharacteristic reimaginings strut and flutter in this day and age.
The Christmas season immersively configureights as local residents stride and muster, parents and innovative children alike emotively adopting seasonal levity.
But the routine quotidian yet fascinating happenings are soon traditionally cast aside, as a furious blizzard startlingly descends and the village is cut off from the outside world.
Not only that, but a group of parents suddenly finds themselves stuck off the side of the road, with no cellphone access residually roughing it their children forlorn and ever antsy.
Although they don't dwell on their parents' disappearance after Santa provides them with ideal gifts, and they calmly engage in festive shenanigans improvisationally utilizing the awesome presents.
Meanwhile, a lonesome youth whose father has forgotten about the special day, mournfully seeks the maladroit accompaniment of a local school marm since his mom has to work.
They dig in deep and courageously construct fortuitous memories for when she returns, as bucolic mischief and communal courtesy cerebrally celebrate felicitous feeling.
Another reason to fight global heating, to help ye olde England recover its bearings, a snowstorm may be present within the film but it's nothing compared to that received here in Canada.
In fact just last week 5 adamant feet of challenging snow diabolically descended (no exaggeration), and we were once again reminded of the pioneering spirit that legendarily engineered the development of our land.
If we can fight off global heating and turn the terrorizing tempestuous tide, winters will return to normal across the pond, and their films may once again inspire rugged confidence.
Santa nevertheless is indeed filled with such inclinations, as he braves the "storm" to generously give sought after gifts to the anxious young ones.
It's a cool take on St. Nick who uses his omniscience to choose perfect gifts for the children, and brilliantly leaves them something luminous and cherished before once again departing for his next destination.
A thoughtful shout out is gallantly given to freeform turkey kind in That Christmas as well, as the resident birds at a lacklustre barn are valiantly set free to avoid mealtime melees.
A chill hyped-up account of just how different Christmas might be if the alternatives bear fruit.
And even more innate goodness emerges throughout the season.
Cool Christmas film embracing festive change.
Labels:
Blizzards,
Bucolics,
Christmas,
Community,
Family,
Feminine Strength,
Friendship,
Invention,
Parenting,
Plays,
Santa,
Simon Otto,
Teamwork,
That Christmas
Wednesday, December 11, 2024
The Cars that Ate Paris
It's tough to say what's bound to happen if you leave isolated communities on their own.
Should representatives of a central government keep in consistent contact as they blossom?
If they had in The Cars that Ate Paris, the situation may have been different, and the thriving supplemental auto parts industry may not have flourished so devastatingly.
The leader would have been proactively concerned.
He's attempting to facilitate familial community.
Local inhabitants can routinely depend on an uplifting speech to keep them motivated.
He's not particularly adept at generating sincere enthusiasm, yet still attempts to absolutely encourage village-wide co-operation and understanding.
Inhabitants have grown to be somewhat restless due to a lack of sure and steady employment, and have taken to recklessly engage in spirited acts of hard-driven disjunction.
One individual survives and isn't sent to the local hospital, where outsiders are usually lobotomized after their cars are blown off the road.
He lacks vision and focus and usually seems quite friendly and unobtrusive, and is therefore permitted to live in the town assuming he doesn't cause any mischief.
Xenophobia is taken to ridiculous degrees as the murderous townsfolk routinely express themselves, alone and forgotten in the far distant Outback where rarely a traveller comes passing through.
Absurd no doubt but indubitably commensurate with low-budget frights from around the world, its innovative use of vehicular vocation demonstrating odd technoautomotive authenticity.
The ways in which they doctor up their cars with intricate designs and supplemental parts, reminded me of Fury Road and I wondered if The Cars that Ate Paris had been historically instructional.
Then it occurred to me that the phenom's likely widespread across the sweltering resourceful Outback, and that these films are artistic examples of something I've never seen in North America.
I would argue that the moment when the clueless lobotomized outsiders show up at the mandatory town dance, transports The Cars that Ate Paris to another level, that's as shocking as it is original.
A challenge if you like old school cult films the existence of which encourage disbelief.
Before heading out on the road.
Destination carefree and uncharted.
Tuesday, December 10, 2024
Don't Play Us Cheap
Lo and behold, a classic dinner party festively abounding with rhythmic song, the random celebratory inspired exclamations as unconcerned and versatile as they are contagious!
But the laidback chill and welcoming get-together has found its pernicious carnal adversaries, uptight individuals austerely prone to bombastically break up the tranquil merrymaking.
Imps from Hell in fact who can instantaneously change their shape and form, initially existing as vainglorious bats before diabolically transforming into humanoid revellers.
They strive to impress the Dark Lord by ruining an otherwise felicitous night, seeking reward recompense and favour in abysmal pits ominously inhabited.
Fortunately, the guests assembled are far too good natured to fall for their traps, and easily find reflexive criticisms carefreely capable of sustaining the fun.
Most of the characters have a song to sing that's full of harmonious hard-working accords, mellifluous tales of united resplendency avidly coaxing freeflowing rebellion.
Salt-of-the-Earth recitals fluidly enchant with gracious exactitude, Melvin Van Peebles having written the songs while expertly directing the feature as well (originally performed as a live musical).
I loved it so much I found the soundtrack and listened to many of the songs again, impressive soulful collaborative music gossamer gospel Motown motivation.
The music continuously innovates the feverish climax bewitching ensemble, as many of the characters gather together and sing several songs at the same chillaxed time.
It starts out humble and modest and slow then virtuously builds as other artists join in, before suddenly emerging as a bona fide fulcrum of synergistic spectacular stardust.
Why not simultaneously compose mischievous quotidian narrative accompaniments, cheerfully championing hard work and play and teamwork and friendship and family and Christmas (not technically a Christmas movie)?
The food looks so good too and there's so so so much of it freely available.
Fortuitously praising one more Saturday night.
Tantalizing treatise.
Mind-blowing maestros.
Monday, December 9, 2024
Subscribe to:
Posts (Atom)