Alertly dreaming of the wonderful day when he can no longer be hounded by institutions, he buckles down and digs in deep to keep his room while embracing the arts.
While at an intriguing performance with his old school friend René, he notices a stunning brunette to whom he takes a modest fancy.
Consistently seeing her at the same venues he cavalierly entertains, he eventually finds the courage to ask her out to see a film.
It isn't love at first sight though, from her objective point of view anyways, and although they spend a lot of time together, the relationship goes nowhere.
Forget her, M. Doinel, can't you see she'll never love you!
You've been collocated not collected.
The resultant frustration despondently shrill.
Difficult to imagine an otherworldly culture so serious so borderline obsessed, with rules and regulations it doesn't fit the France I'm more familiar with chill and peaceful (from books and films).
I suppose I grew up post-Antoine Doinel when his influence was more widespread, and you no longer had to tiptoe-through-the-meanies with nauseous cryptic jaded dread.
Hopefully this blasé revival of excessively devout austere mendacity, will fade without the dull recognition that any culture could have ever been so boring.
Antoine Doinel's still not the heartthrob more familiar in later films, but he still seeks lavish amorous illusion in this less accommodating fluid short feature.
Ironically getting along so well with any set of parents other than his own.
Nice to see him gathering his own vinyl collection.
Even working for a record company.
Vinyl still blows my mind.
*A couple cool scenes even present the mechanics of the old school vinyl industry.