Presenting a comic romantic over-the-top ultraviolent musical,
wherein bourgeois values resolutely seek to pacify a versatile
tumultuous rogue, the undying and overpowering intensity of love
unwaveringly guiding their reformative resolve, streetwise unconditional
consistent combative tenacity governing his, Takashi Miike's Ai to Makoto (For Love's Sake) does
not refrain from elaborately executing every consummate class cliché
ever created, sensationally synthesizing quixotic and hardboiled
extremes, relentlessly reproducing unerringly awkward amorously
explosive motifs, in the implacable pursuit, of emancipated
co-dependence.
Group dynamics repetitively insist that
young Makoto Taiga (Satoshi Tsumabuki) obediently pay his respects, but
as their challenges are uniformly discombobulated, his limitless
disenfranchised individuality, and consequent unwittingly seductive
magnetism, remain intact.
Attaching a monetary value to
the ability to maintain specific ideological viewpoints, while
catastrophically choreographing their constructive affects, Ai to Makoto pugnaciously parodies the domain of rehabilitative reckoning, while chaotically kitschifying the practice of revenge.
For love's sake.
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