The real's incarcerated dominion finds itself transformed into a Shakespearian atemporal time warp whose interpersonal intertextual transhistorical vertices passionately bridge a parochial rubicon.
The play within the play transports the film into a concrete surreal hyper-reactive microcosmology, crime, punishment, serendipity, urbanity, patiently orchestrated by Paolo and Vittorio Taviani, enacted by denizens of the damned.
As the conception is corporealized manifested methodologies collaboratively clash while their situational subject matter is acutely fumigated.
Artistic adornments and monumental minutiae see their beings metamorphically idealized as the process of creation extends its interdimensional limits.
Memories forge an objective counterbalance.
Brutus and Cassius must flee.
That is how it was written.
More than a thousand years after the fact.
A roguish retinue theatrically matriculates as an artistic presence brings semantics to life.
In/transitively.
No comments:
Post a Comment