While We're Young

Predictable contained pleasant enough maturity is injected with spontaneous jubilance as two couples at different stages in their lives start chillin' in Noah Baumbach's While We're Young, the art of documentary filmmaking bringing them together, one filmmaker trying to launch his career, another having been interminably editing and collecting new footage for a decade, cradling Borg perfection, creating an abstruse tome.

In search of truth.

The truth isn't necessarily fun, however, and the presence of youth rejuvenates struggling Josh (Ben Stiller), although a well groomed stubborn and proud persona still obfuscates, his outlook rigid and exacting, unable to incorporate the new.

When it becomes clear that Jamie (Adam Driver) isn't a student looking for a mentor, but a competitive force trying to gain access to Josh's more successful father-in-law (Charles Grodin[!] as Leslie Breitbart), the reclassification intensifies.

Hysterically.

Ideas.

Different Approaches.

What's going to work?

In terms of diligently orchestrating a text that's both fun and informative for a variety of different audiences anyways.

Which is what Noah Baumbach has done, again, with While We're Young, love his films, he diversifies this text with multiple characters playfully representing different sociodemographic domains, uses the differentiations to mischievously yet instructively comment on relationships, ethics, and art, the good sides, problems, making manipulation seem fun, just in time for a classic Ben Stiller freak out.

It's not just the couples who are contrasted with one another, but each couple pluralizes a dynamic of their own, within which each partner complements while contradicting the other.

As the streams cross.

Naomi Watts impresses again, don't see her in anything for years, then she shows up in 3 exceptionally cool films back-to-back-to-back.

Outstanding.