Tomorrowland

Cloaked like a pessimistic counterproductive dagger, Tomorrowland brakes to nourishingly excel, the forces of darkness coveting rash inevitability, unforeseen factors, championing propulsive change.

Marshmallow.

A bright young girl (Britt Robertson as Casey Newton) is given the rare opportunity to interdimensionally express her points of view, but she requires the aid of a jaded visionary (George Clooney as Frank Walker) who made a mess of things hardwiring his.

A cascading proacticon (Raffey Cassidy as Athena) facilitates their endeavours, doing everything she can to make dreams live again, the sequestered realm where the gifted resuscitate having physically broken down, to the point of planetary exclusion.

A product of inbreeding.

Their leader (Hugh Laurie as Nix) suffers from bitter exposure, hopelessness, having lost the capability to separate slime from synergies.

But Casey still believes.

And her wondrous enthusiasm calls Frank to action, a towering historical flight, to breathe life into despondent degeneracy.

Pitter patter.

Liked Tomorrowland's positive message.

Encouraging for youth and adults alike, it explores the big picture from an innocent perspective which breaks through the immense complications that prevent people from thinking constructively.

Slow moving change isn't always the best option, but it enables groups to move forward collectively at a subdued yet surefire pace, that allows multiple stakeholders to make structural adjustments to various infrastructures without inciting furious passions that can be rather destructive if imposed on a mass cultural scale.

An obsession with immediate gratification can be problematic when operating in this fashion.

Patience is the productive key.

While still making sure you enjoy the weekend.

Note: the changes in Tomorrowland do require immediacy. If they didn't, it would be a rather odd mass produced science-fiction film.

Social democracy's a tough sell.