Eye in the Sky

Speculation.

Strategic planning.

Cold calculation.

The human factor.

A peaceful Kenyan family who loathes yet fears extremists lives day to day in a militarized zone, embracing their loving routine while terrorists plot suicide attacks in the compound next door.

The British military has waited years to either capture or eliminate these fanatics and is ready to strike but requires direct authorization.

At the perfect moment, extraordinarily complicated and dangerous steps having been taken to ensure legalistic legitimacy, the adorable daughter (Aisha Takow as Alia Mo'Allim) of the family begins to sell bread within the proposed airstrike's targeted area.

Eye in the Sky hierarchically examines the politics and ethics of proceeding with the mission, humanistically stylizing the decision making process at executive, legal, operational, and civilian levels, internationally evaluating torrents and tributaries to disputatiously justify the repercussions of its actions, debate clad in detonation, textbook points on cue.

Interrogating the greater good.

The crucial unknown.

Millions have likely been spent leading up to the moment and preventing suicide attacks which will result in dozens of casualties seems like the logical decision.

But the peaceful family, if their daughter is killed, may then turn to extremism, convincing friends and relatives to join in the call.

I'm surprised this point wasn't mentioned in the dialogue which otherwise intellectually explores several hypothetical perspectives.

Conditionally, there are too many variables to confidently predict certain outcomes, and it is known that the terrorists are preparing to launch suicide attacks, and that dozens of deaths are more serious than one.

Painstaking steps are taken to ensure the girl's survival and a brave clever conscientious objection is even made by the soldier responsible for launching the strike.

Colonel Katherine Powell (Helen Mirren), eager to terminate her target, eventually takes matters into her own hands and lies about the girl's survival odds in order to secure the right to annihilate.

The audience is left to decide whether or not she made the correct decision.

The concluding moments, reminiscent of speeches made by Jean-Luc Picard, suggest director Gavin Hood thinks she did not.

War laid bare.

Unforeseen probabilities.

Possibility obscured.

Eye in the Sky rationally supports opposing viewpoints with argumentative clarity yet is somewhat too neat and tidy and at points I thought I was watching television.

It still boils down incredibly complex structures and their inherent departmental checks and balances to an accessible narrative replete with critical controversies.

Open-ended investigations.

Well thought out yet too polished at times, Eye in the Sky materializes the imaginary components integral to the ethics of fighting the war on terror, to lament both conscience and innocence, while statistically analyzing bursts of compassion.

Pleasantly lacking in sensation.

Loved the Alan Rickman (Lieutenant General Frank Benson).