Islands of ancient salacious mystique, coveted opulence, irreverent revelations, strategic planning saracen starship, nomadic nomenclature, obsidian overtures spite notwithstanding, lovers leverage contend and lust, tantamount condesa consented trust, delicatessen, octopi, prosciutto, exclusive events held-up hog ties, serendipitous spies, orphans, lives spent in coerced carnal obsession belie wanderlust, trips at sea, unsaddled steeds, a maestro's mercurially manifested misgivings extemporaneously billowing with contemplative vague sorrowful passage, tacit knowledge shimmering in smoke, iridescent stardust stray, fastened.
Sook-Hee's (Kim Tae-ri) innocence ignites plans and projects pristine, poached and sincere passions, cleared tidings focal.
Pinpointed.
Through the breach within reach cloaked and steeped pressures vital.
A plan to steal an old man's fortune multigrainedly awry.
Epic in its orchestrations, Chan-wook Park's Ah-ga-ssi (The Handmaiden) made me think of Davids Lean and Lynch.
Within true love overwhelms calculation to rapturously materialize mint ethereal soul.
Secluded deep in forests green verdant luscious able.
Hauntingly accessible inject garlic gore.
Folklore.
Stationary.
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