The less gifted compassionate brother humbly seeks the domestic life (Jesse Plemons as George Burbank), and finds himself smitten with a hardworking lass who successfully runs her own popular business (Kirsten Dunst as Rose Gordon).
The other bro is habitually suspicious of any glad-handing enamoured newcomer (Benedict Cumberbatch as Phil Burbank [outstanding performance]), and prefers rough and tumble emphatically coarse hands-on physical quotidian forays.
But marriage soon dawns and with it not only a new likely permanent intelligent influence, but also a shy otherworldly distraction who makes a poor fit with bellicose life.
The productive bower audaciously enlightening belligerent desires for risk and privation, must suddenly accept appeasing elements which may even at times utter contradiction.
But even more, there's a nerve-racking secret that could incite revolt upon their orderly lands.
Or lead to comic disorganization.
Or catastrophic open truths.
It's a haunting solemn new age Western thoughtfully investigating masculine culture, from complementary bucolic perspectives, that have severely re-emerged as of late.
A way of life whose requisite content has not doubt mutated hectically for millennia, still embodies formalities immemorial assertively nuanced in varying degrees.
George takes the logical approach wisely accepting the rigid code, while leaving room for something more that may also integrate feminine cultivation.
Strength is a relative term and has myriad applications beyond what you can lift.
Why embrace strenuous impediments?
When there are so many new developments to ease your burdens!
A way of life I suppose, it's tough to give things up, especially if they're psychologically associated with good times from your youth, and corresponding senses of invincibility.
Trying new things can help establish new paths to explore and consider, however.
While at times old methods hold true.
Nothing like a bit of old school trial and error.
Blended with postmodern reliability.
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