It now appears rather out of touch with fluid non-specific schematics, which see both partners animately working while sharing household chores at the end of the day.
I'm not entirely sure how it works, but I imagine contemporary partners function multilaterally, perhaps cooking on alternate nights, and cleaning together on the weekend.
As time passes, I reckon the division of labour organically corresponds to habitual preference, within relevant temporal constraints, incorporating time and variability.
Do couples indeed function this way as time progresses and patterns emerge?
Or is it only read about in books and newspapers?
Has corresponding data been reasonably compiled?
In Meshi (Repast), there isn't much of an alternative for Michiyo (Setsuko Hara) besides the life of a traditional housewife, the socioeconomic style of the times having yet to embrace gender equality.
She finds her life rather dull and becomes frightened by her future prospects (they live in suburbia), especially after her husband's (Uehara as Hatsunosuke) pretty cousin (Yukiko Shimazaki as Satoko) comes to visit, and he engages her in conversation.
Michiyo leaves to stay with family and her husband is left to monotonously deal, he's actually not such a bad guy though, and patiently accepts his solitary predicament.
He certainly has the more active role empirically equipped with inherent mobility, but he isn't cruel and dismissive either, he loves his wife and doesn't flaunt his advantage.
She eventually realizes he's a catch even though he's dependable and trustworthy, and the two reestablish their conjugal trajectory, director Mikio Naruse presenting their union idyllically.
Her husband's rather chill and accepting and would likely have played a role in instigating change (Meshi's from 1951).
And perhaps would have learned to be more spontaneous as well.
To take Michiyo out to dinner more often.
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