Unaccustomed to blunt disparity he takes the law into his own hands, and sets forth in perilous search of the oblivious aristocrat in question (Robert Prosky as Daniel Christie).
Yet he's discovered asleep in the barn one scandalous inopportune strict morning, the estate owner's daughter having cleverly detected and proceeded to relieve him of his balance (Nicole Kidman as Shannon Christie).
Nevertheless, he's soon challenged to duel where that very same lass comes uproariously rising, and leads him away in fact to a ship bound for North America.
The two make an awkward glib pairing as the fashionable lady must learn to work, while Joseph excels in the world of prize fighting and graciously teaches her how to make an honest living.
Pride diabolically emerges however and the honourable Donnelly soon loses his head.
Banned from ever boxing again within Boston.
They struggle to find food and shelter.
While watching Ron Howard's Far & Away I was reminded of realist ambitions, and the ways in which many artists in my youth delicately strove for historical accuracy.
Thus we see actual clothes being washed long before washing machines were invented, and near the end sundry wagons and horses vigorously line up to compete for Oklahoman land.
Class and privilege also haughtily fade as the levelling tides of prosperity mingle, the old world manifesting itself anew, while raw opportunity seeks its annulment.
In terms of lending old and new world preponderances in a thrilling narrative equipped with romantic candour, Far & Away imaginatively and mischievously excels and makes me wonder why more hasn't been made of it.
Even before the Mission Impossible days Tom Cruise still cut his teeth as a prominent boxer, in conscientious drama wherein elfin which age old pluck and tenacity applauded.
Nicole Kidman also prospers as the stern maiden creatively and reflectively improvising, learning to follow her thoughtful instinct in a land much less prone to ancient pride.
Imagine Jane Austen was more of a rebel and took to the seas with Ernest Hemingway.
Classic integral Ron Howard.
Co-starring the daring Colm Meaney (Mr. Kelly).
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