The people of Hadleyville, Pennsylvania, want to reopen the plant where they've built many automobiles, its jobs the driving force in the local economy, which heavily relies on their enriching abundance.
To make things work Japanese and American cultural preferences must coalesce, the management team promoting trusted principles that often lead to success in Japan.
They're much more intense than many are used to, the search for perfection ideally orchestrated, friction develops between workers and management as different work-life balances awkwardly clash.
I find the desire for perfection motivates many in North America, but if it isn't achieved the related penalties aren't quite as strict as presented in Gung Ho.
Fortunately, humour is appreciated and Hunt's (Michael Keaton) honest style intuitively builds bridges.
Desperately trying to hold his regenerated town together, he strives to bring mutually beneficial cultural accords to life.
Does the spirit of the 1980s still culturally flourish across the land, with individual critiques democratically striving to ensure multilateral communal parlay?
After having seen the documentary American Factory (2019) I'd say there's no doubt they're alive and well, a film that examines contemporary Chinese and American relations at a refurbished plant in nimble Moraine, Ohio.
The two films go hand-in-hand and would fluidly make an instructive double-feature, as I mentioned in my Far & Away review, there was once a thriving impetus to keep things realistic (Gung Ho also directed by Ron Howard).
A more comprehensive investigation into how labour-relations have changed over the past 40 years, would indeed make a compelling read, and would in fact be fun to research.
Gung Ho's style of storytelling was quite prominent in my curious youth, a hard-working day complemented by study and time well-spent with friends and family.
Millions fought for centuries to bring the balanced state of affairs about.
Why is a healthy work-life balance controversial?
Co-starring George Wendt (Buster), Mimi Rogers (Audrey), John Turturro (Willie), Clint Howard (Paul), and Gedde Watanabe (Oishi Kazihiro).
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