It looked like it was going to focus primarily on revenge and reconstruct the devastating antagonisms that dominated the first film.
Of course these films are cinematic endeavours not nature documentaries, and I have to remind myself to concentrate on the difference at times to avoid sounding even more antiquated.
I was hoping the second film would expand the world presented in the original nevertheless (I didn't know anything about this film going in), and provide more insights into Pandora itself, and I was happy to see that that's what happened, as Jake (Sam Worthington) and Neytiri (Zoe Saldaña) and their family go into hiding.
They hide amongst people of the water or a tribe as knowledgeable of the sea as they are of the forest (the Metkayina), just writing that reminds me of how cool these films are, and how amazing it is that blockbusters are genuinely championing nature (I swear there's a dialogue here between Avatar and Ghibli, Kaze no tani no Naushika (Nausicaä of the Valley of the Wind) anyways[wish I could write that essay]).
The water people are super intense and highly critical and dismissive of those who don't know their ways, the gauntlet immediate and challenging and demanding as the new recruits adjust to their newfound codes.
The Way of Water may not be a nature documentary but it does excel as it examines tulkan and human relations, the tulkan closely resembling whales back home, I couldn't make it to Tadoussac again this summer, this film went a long ways to compensate.
It primarily concerns a rogue tulkan who made the forbidden decision to fight back against his hunters, his kind absolutely devoted to peace and unconditionally opposed to taking a life.
Extreme hardship drove him to fight back however and members of his pod were killed in the battle, he survived but was banished forthwith for having fought back against his oppressors.
He forms a tight bond with Jake and Neytiri's son Lo'ak (Britain Dalton) who also has trouble following rules, and who brings his case to the Metkayina who are none too fond of the outcast.
Later in the film, it's like the coolest moment ever presented in blockbuster cinema, Payakan (the outcast tulkan) joins the concluding battle between the inhabitants of Pandora and the colonizers, and makes a definitive impact.
It isn't over in 30 seconds either, it keeps going and going and going. Scene after scene of nature fighting back. So much thought, time, and care sincerely went into it.
I tell people that the best possible world would be one where there is no war and violence (what people were fighting for for most of my life before Trump), where our social structures are so cohesive that someone like Putin would never arise.
But Hitler's rise in the 1930s makes me worry about such possibilities, i.e, if someone like that does arise and no country has an army to fight them, they could effectively blitzkrieg most of Europe, and leave civilization in bitter ruins.
Thus, I advocate for the creation of potent defensive armies and their continual existence in case of such a development, Putin having proven their unfortunate need, to be kept out of the hands of bloodthirsty tyrants.
Democracy prevailed for many a decade and kept the despotic autocrats at bay.
The rise of the internet has seen them prosper again nonetheless.
These are difficult times.
I suppose that without a defensive army you could wager assimilation might eventually win back your country, like the Chinese used to do with the Mongols (Sinicization), although it takes a lot of frustration and generations to possibly work, and, imagine having to listen to those people for generations (not the Chinese, the fascist colonizers).
Geez Louise, this became far too heavy, note that I really loved Avatar: The Way of Water.
It's a really cool universe and I'm glad it's popular.
Can't wait for my next whale watching excursion.
*It would be cool to see an Avatar film that was focused primarily on the different interrelations between the inhabitants of Pandora, like an Olympics or something, with less of a focus on colonization. 😎
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