He had to leave Earth long ago and set out to the Heavens in search of worshippers, along with his Greek and Roman brethren, eventually settling on an isolated planet.
Upon encountering the crew of the Enterprise, he seeks to coerce their admiration, but the imaginative space-faring ill-disposed citizens soon find a way to outmanoeuvre him.
Thor is rather chill for a God preferring to sleep in and engage in horseplay, when the people need him he courageously responds but otherwise disdains regal pomp and pageantry.
Thus, he fits in well with laidback demonstrative interstellar particularities, and is much easier to actively root for than someone demanding obedience and loyalty.
I thought it was cool that Marvel included the less widely known Norse Gods in its narratives, because it was fun to learn more about them while watching the athletically staged theatrics.
But Love & Thunder introduces every God the all and sundry you can possibly imagine (even Q: The Wingéd Serpent), it's out of touch with the creative genius that led to the X-Men and the Avengers.
The abundant Gods no longer seek worship but rather inhabit a far off realm, where they lounge about and entertain as decorum permits with unheralded alacrity.
Thor fittingly disrupts their balanced order keeping in tune with contemporary shenanigans, functioning in a similar way to Captain Kirk in that Star Trek episode from long ago.
Marvel and D.C's creative brilliance has no doubt been proven time and again, but as their films continue to exponentially multiply has Star Trek's multivariable imagination been overlooked?
Gods no doubt exist within the diverse multilayered Trekkian sagas, but the emphasis is usually on how human ingenuity can resourcefully outwit them.
Star Trek isn't as reliant on superhuman strength or exceptional idiosyncrasy, to find a logical working solution to the crafty predicaments it faces week after week.
Rather it champions science and the ingenious solutions expediently found, by a group of curious travellers who search the universe to expand their minds.
Marvel and D.C etc certainly deserve a place in the forefront. They've dynamically carved multiple scenarios overflowing with daring and remarkable teamwork.
But something's lost if Star Trek's focus on the human factor loses its cinematic edge.
Not just human, alien as well.
Interactively engaged in inclusive environments (where you'd also find Thor).
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