Imagine living there, naturally ensconced in overwhelming breathtaking beauty, consistently revelling in awestruck wonder as the seasons change and life delivers.
It's fun to catalogue the passing of the seasons like the family does in Fedrelandet (Songs of Earth), humbly showcasing their fertile land which they've boldly cultivated since at least 1603.
Incredibly beautiful consistently revitalizing miraculous mountainous energetic environs, overflowing with habitual endemic resplendency, what a place to grow up then resiliently stay.
Not that it hasn't been difficult, emergency visits to the hospital were arduous at times, in fact to cure routine and troublesome appendicitis one required a nine hour trek over a mountain to a hospital.
And while the mountains constantly provide mood-altering rejuvenating lithe panaceas, they can at times wipe out whole families when they suddenly tremble with capricious fury.
But the beauty outweighs the risk their rooted reasonable irreducible rubric, providing ubiquitous inspirational levity like the perennial emergence of prehistoric dawn (I spent a year in the Rockies).
Mr. and Mrs. Mykløen are still enamoured with old school l'amour, it's uplifting to watch as they lovingly chill far away in the mountains on the family farm.
Still as holistically fascinated with one another as they lucidly were when their eyes first met, the unyielding preservation of romantic love everlastingly conjoined through limitless longevity.
Strong health and inherent vigour naturally accompanying their lives in the mountains, as they still hike like billy-goats to imposing mountain tops far above the sea.
It's impressive to view the heights they reach without looking like they've put in much of an effort, a life of bold adventurous mountaineering begetting calisthenic courageous camaraderie.
Fjord living seems remarkably versatile from the stunning vistas and prominent panoramas, not to mention incomparable envisaged reflections in the pristine waters and out on the ice.
Filmmaker Margreth Olin (the Mykløen's daughter) periodically showcases wildlife within her film too, deer and moose and ravens and ferrets industriously existing in inhospitable lands.
There must be tourism it may be cold and isolated but it's still like nowhere else on Earth (crazy Northern Lights).
But perhaps that kind of thing would disrupt the harmony.
What a thrilling way of life.
Effervescent through the centuries (crazy waterfalls too).
*The Mykløens explain things much more clearly in the film.
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