In 1967, a harsh military dictatorship suddenly took control of Greece, where it ruled for 7 inauspicious years as people everywhere around them mobilized.
Imaginative French filmmaker Agnès Varda made the film Nausicaa to commend Greek exiles, who were forced to flee the degenerate lies and systematic torture of the fascist regime.
Finding themselves in France they fortunately found international networks, and were able to defend democratic freedoms with receptive audiences worldwide.
Unfortunately, as her film was being put together insensitive authorities seized most of what had been produced, and never explained to her why they were taking it, it's thought that the material was subsequently destroyed.
But the Royal Belgian Cinémathèque kept one copy and delicately preserved it, which is now available on The Criterion Channel for those seeking informative and creative texts.
It interviews artists and journalists as they explain the troubles they had with the army, and attempt to find work and lodging in France while reflecting on Greek politics.
The call for widespread resistance took time to find an active audience, but eventually championed the compassionate rights of people who prefer not to join the military.
Nausicaa is also quite experimental it eclectically presents different storytelling styles, loosely adorning one Greek citizen's experiences as he meets a woman whose daughter's half Greek (I believe the daughter is supposed to be Varda).
The ways in which state media outlets mask the truth in order to offer unrealistic pictures of sociopolitical dilemmas are showcased, along with investigations into the general political awareness of France at the time (note how the left recently still dealt a crippling blow to the French right), and thoughtful looks at Greece's culture in the '60s.
Please don't equate my new style of poem with what Nausicaa calls "Medieval Obscurantism". I thought I was writing absurd catchy surrealist poems that are like puzzles, I'm not deliberately trying to sound difficult.
Difficult to know what parts of the film would have been kept or altered or augmented if it had moved forward, but there's still enough left in this working draft to generate more comment than most of what's out there.
A cool look at the French New Wave applied to television.
The dictatorship didn't last long.
Varda is worth checking out.
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