Healing

Feel-good regenerative character building assignments can sternly yet sympathetically rehabilitate both inmate and injured bird alike, according to Craig Monahan's Healing, a family friendly sentimental melodrama.

Respectful, school-of-hard-knocksy, and well-rounded, with several strongly developed primary and secondary (somewhat one-dimensional) characters, it generically yet comprehensively annotates its subject matter, polarities within polarities structuring the altercations, emphasizing forgiveness and zoo therapy, and that no one can be left alone.

If you like animals, notably birds, there's a feast of endearing schmaltzy scenes within, the raptor Yasmin often used to transition, his facial expressions commenting on the action.

There's also a strong egalitarian dimension, Healing's principle character being an Iranian convict who was convicted for murder (Don Hany as Viktor Khadem), its narrative featuring his strengths and weaknesses as an individual, not as a member of a specific ethnicity, while still exploring aspects of his culture to indicate difference without effacing opportunity, giving both him and his Australian cohabitants an equal chance for release.

There are the odd ethnocentric slurs but they're residual, distastefully expressed.

The conflict within the polarities gives the story a gritty character which adds a real-world dimension to its ethics.

I still would have cut down the length by about 15 minutes, the cutesiness dulling its edge as too much time passes.