Tuesday, September 8, 2015

Borealis

Sean Garrity's Borealis hits and misses, struggling to cohesively grind its aesthetic, while occasionally brewing refined diuretics.

Structurally speaking.

It follows Jonah (Jonas Chernick) as he attempts to pay off massive debts through gambling, making one $50,000 bet too many, winding up on the run from a seriously angry old friend.

What takes place in the film functions as a warning to would-be risk takers, although, due to its consistent focus on the regenerative potential of a lucrative lucky streak, it also glamorizes the stakes, albeit in a downtrodden fashion.

Thus it appeals to card players and those who prefer board games alike.

J'aime les deux.

It tries to introduce the bizarre, a quaintly quizzical quandary, as a small vegetarian dog is offered an entire large raw steak on a golf course, logic unfortunately minimizing its impact, since the time it would take to eat the steak would more than likely disrupt the flow of their game.

The script viciously acknowledges this incoherency moments later.

I think a closer study of Twin Peaks is in order.

Jonah's daughter (Joey King as Aurora) is going blind and he convinces her to take a road trip with him (the getaway [she doesn't know she's going blind at this point]) to Churchill, Manitoba, to see the Northern Lights before she loses her sight, and even if arguments abound throughout their journey, their eventual coming together fuels the film's reckless fervour.

It's tough to bond with Jonah.

He is a huge screw-up, and I had trouble generating sympathy.

But the script does excel at slowly delivering personal historical details from his life which do in fact help to eventually generate sympathy, and reminded me not to jump to hasty conclusions.

The ending (spoilers) best describes my thoughts about the film.

After coming to terms with Jonah's creditors, Jonah and Aurora sit on Churchill's rocky shore, relieved about their reversal of fortune.

Jonah must have been freezing since he had recently been tied up and launched into the water, but, whatevs.

The Northern Lights suddenly appear and Jonah points them out.

It's cheesy that they suddenly appear, but then we discover that Aurora has gone blind and can't see them, which grates the maudlin slab.

Highs and lows, sinuous switchboards.

Liked the hitchhiking roadside imbroglio.

And the shots of rural Manitoba.

Almost went to Churchill once you know.

Way back when.

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