Tuesday, September 22, 2015

Félvilág (Demimonde)

Fair weather thickets, robust tumbledown, opulent rickety flush strings resound.

Erotic.

Instrumental.

Respect and fascination, a subject of the film, one diligently striving to detect an aesthetic hidden within musical provenance, thought allied with action distilling muses to kindle pluck, historical serenity, vixens and vertices, the other manifesting sensation in a shroud, aware of its immaculate presence, seizing and securing the moment's acceleration, ostentatious in its longevity, commanding, assured.

Time slowly transfiguring each one.

Elza Mágnás (Patricia Kovács).

Achievement and success, unconcerned with scandal or perplexity, like Odette de Crécy, she mesmerizes in swoon.

Kató (Laura Döbrösi) escapes life on the streets and is caught between the ethical and the spectacle, rigorously learning what she can to survive.

Quickly.

Visceral film, Félvilág (Demimonde), examining morality through an economic lens, poverty and poignancy luxuriously dissected, picturesque propriety, enabling restrictive plights.

A romantic poet, jealous servant, and coddling magnate complete the script, their attention devoted to Elza, who consequently revels in her agency.

Carefree leisure and desperate servitude liaise within, desire harmonizing their ambitions, dedication sterilizing their chagrin.

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