Tuesday, October 2, 2018

Don't Worry, He Won't Get Far on Foot

I suppose I write about pastis, or red wine, or craft beer, from time to time.

This may give the wrong impression.

Do I enjoy drinking the exceptional craft beer brewed in Québec and elsewhere?

Yes, many of them are quite good.

Red wine and pastis, also quite good.

But, after one too many parties 15-20 years ago, I found ways to generally limit my drinking that enabled me to actually enjoy what I drink, instead of just drinking whatever.

Moving to a city where English isn't the primary means of communication and having to find work helped, as does having to start work between 5 and 6:30am most of the time.

The most important rule: stay away from the hard stuff.

Just one if there's a brand you particularly like, and enjoy it slowly after a hard week of dedicated work.

Plus never drink if you're sad or you feel like you have to, and take your time while you have a drink, take it easy, orinoco flow.

If you feel like you really have to have a drink try drinking something non-alcoholic like soda or orange juice or something with pineapple. Drink 4 or 5 of them. Keep your thirst occupied.

It's way less expensive than alcohol.

And can be healthy in some instances.

There's also non-alcoholic beer.

But come on.

That's disgusting.

Gus Van Sant's Don't Worry, He Won't Get Far on Foot looks at several lives destroyed by alcoholism, focusing primarily on a quadriplegic cartoonist named John Callahan (Joaquin Phoenix).

He hit the hard stuff full-speed-ahead one night and wound up immobilized for life.

He's super mischievous though, he doesn't let the misfortune get him too down, zipping through town on his motorized wheelchair like it's a Lamborghini, finding artistic ways to express himself and a corresponding job at a local paper.

It helps that he finds a cool partner (Rooney Mara as Annu), and an Alcoholics Anonymous group whose grizzly empathy helps him tone it down a notch or two.

Strange film

Tough fucker.

It defies expectations inasmuch as you'd expect it to depict John suffering intensely, despair pervading throughout in order to function as a solemn indictment.

It's still gloomy, Callahan's confined to a wheelchair and can hardly move, and he does break down at times, but Van Sant showcases his inspiring resilience as well, like an odd blend of the Le scaphandre et le papillon and Fear and Loathing in Las Vegas, with hints of Almodóvar.

Well-acted, directed, perhaps too light considering the gravity of the situation, but there are some heartfelt moments of acknowledged bitter regret too.

And teams.

Teamwork.

The cartoons are funny but remember making light of the intense suffering of others can have horrendous consequences if it's applied politically.

If you can't come up with something else that's funny, it's possible that, you suck.

Or are extremely lazy.

A glass of wine and then bed for me.

I swear cultural osmosis has taught me a French secret.

I also spend more freely than I used to.

And still like going out from time to time.

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