The Girl in the Spider's Web

Ideas that should have been shelved.

Desire that should have been sublimated.

Illicit ingenious technology.

Too tempting for sheer mortal vice.

Its mastermind (Stephen Merchant as Frans Balder) comprehends its extreme power and foolishly seeks its destruction.

Alone.

Yet he requires impeccable stealth to retrieve it and possesses not the requisite skill, nor the essential rationalized paranoia that should accompany such rash endeavours.

Considering the value.

His plan relies on a presumed lack of suspicion.

Steal it, acquire it, destroy it, quickly, before anyone realizes what's been done.

He wants to destroy FireWall to keep it out of the hands of those who covet it, without realizing they're watching at all times.

And soon a device which can unlock the codes for nuclear weapons worldwide is in terrorist hands, along with its gifted creator's son (Christopher Convery as August Balder), his father's accomplice related to their cypher (Sylvia Hoeks as Camilla Salander).

One Lisbeth Salander (Claire Foy) must resiliently contend nothing more, backed up by the loyal Mikael Blomkvist (Sverrir Gudnason) plus an agile unknown thoughtful factor (Lakeith Stanfield as Ed Needham).

The room for error's non-existent and the playing field's level, driven experts coldly strategizing, extreme limits, boldly reached.

If actual people were thinking of creating something like FireWall, I would state, "please don't create something like FireWall, existent geniuses capable of doing so."

Would it not be cooler to find a way to use computers to learn dolphin?

Or animal in general.

I was listening to lynx calls online one day and thought they sounded similar to the static you used to hear while devices communicated with one another through phone lines in the days of dial-up internet, which led me to the idea that an electronic device could be created to interpret what animal sounds mean, one which perhaps utilizes digital twin technologies albeit without comprehensible linguistic references (I suppose if such a device worked without references it could solve many communication problems).

I thought this idea was likely quite ridiculous and was going to keep it to myself but then saw Clara, wherein which a fictitious professor challenges his students to find the sound of the data, and thought perhaps I had accidentally found something.

And added the digital twin stuff today.

The Girl in the Spider's Web diabolically impresses, fast-paced cerebral orchestrations delineating cause in flux.

Ye olde, whoops, we really shouldn't have done that, anxiously seething sans menacing pause.

Globalized recourse imagines a Bond film with a rogue self-reliant female agent, its intrigue an international spectre, its ingenuity a bespeculative double o.

Held to crippling account for the one victim she left behind, two sisters fuzed adroitly adjudicate misperception.

I liked the characters and the situations they found themselves within, clever action ploys catch and release, creative use of the all-seeing panopticon.

Didn't there used to be laws about watching everyone everywhere they went all the time?

They weren't discredited were they?

On the last page of a paper copy of a newspaper that no one bought?

Lost in the twitter deluge?

Suppressed by great blue cries?