Tuesday, April 16, 2019

The Mustang

Why people have to round up wild horses is something I don't understand?

Aren't they just chillin' in wide open unoccupied plains, doin' their own thing, not worryin' 'bout other people's business?

Does someone own the grass they eat?

Are they trespassing in the middle of nowhere?

Must they all be tamed and forced to work, to quietly perform without as much as a recalcitrant neigh, as they're rewarded for doing tricks they can't possibly comprehend, when they could have simply been roaming the forgotten wilderness, wild and unconcerned, harnessed to unbridled freedom?

I don't disapprove of The Mustang's horse rearing program, inasmuch as it exists after the fact.

It's actually a brilliant stroke of enlightened rehabilitation, that teaches hardened criminals genuine kindness, love, and compassionate understanding.

The remarkable benefits of animal therapy can easily be found online, which leads me to think that if prisoners were given stray cats and dogs to care for, things might lighten up in some tense environments.

Training a frisky rebellious stallion certainly helps The Mustang's Roman (Matthias Schoenaerts) to feel again, for after years of unmanageable self-imposed isolation, he suddenly opens up to his gentle daughter (Gideon Adlon as Martha).

Soon after he enters the program.

He doesn't take to it so well at first though.

He's so tightly wound he can't listen to anyone other than himself, even when people freely share valued helpful information.

But why is he so tightly wound?

Where does his obstinacy come from?

It could have perhaps been generated by an all-too-encompassing psychological focus on the individual, a shocking inability to calmly listen to an other.

Anyone else, it's as if he's adopted a god-like persona that fails to heed any alternative viewpoint that doesn't match his predetermined will.

His predetermined will alone.

He's likely encountered wicked tricks, people who claimed camaraderie but only sought to cheat him.

But that doesn't mean there aren't others out there providing judicious counsel, lively inspiring goodwill, or that everyone you meet is trying to screw you.

Just have to give a little.

Be willing to let others in.

The Mustang slips up at times and probably could have left out a lot of the violence, and Roman certainly convalesces rather quickly, but it still presents a caring heart that truly seeks honest redemption, after having given up on everything it loved, after having succumbed to total silence.

If the horses can't run free why not train them with similar initiatives?

But I don't see why they can't run free.

They aren't hurting anyone.

And they make nature all the more wild.

Indubitably.

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