Friday, November 22, 2019

Witness

A young Amish child (Lukas Haas as Samuel) on his first trip to the big city, finds himself immersed in high level corruption, after witnessing a brutal murder, while waiting for his train to depart.

As unaware of the repercussions as the honest cop who takes his statement (Harrison Ford as John Book), he's soon revealed the identity of the killer, and it's indeed one of New York's finest (Danny Glover as McFee).

Book soon transfers the knowledge to his supervisor, but he's placed his trust in the wrong elite cop, shots fired shortly thereafter, moments later he's on the crazed run.

To Amish country.

Where no one will find him.

If he can keep that yap shut.

And refrain from scandalous endeavours.

Work abounds in the old school surroundings, as does temptation, and orthodox rules.

Surveillance haunts disputed emotion.

There's no quarter, no frank ergo sum.

Long before cellphones guaranteed law enforcement could ubiquitously monitor the population, public movements were still often scrutinized, private pastimes uprightly presumed.

In tight-knit communities anyways, and at work, and at home, the concept of privacy still had much more meaning, and could at least be theoretically conceived.

Without vast resources.

Headstrong individualism meets its panoptic particulars in Peter Weir's forbidding Witness, as a trustworthy by the book policeperson closely follows established rules.

Having once taken procedure for granted, he struggles to meticulously adjust, his genuine goodness guiding the way, his bold temper begetting comeuppance.

A sympathetic depiction of the Amish unreels within, beyond sociopolitical constructs, a simple existence with nothing to hide, harmless living for strict rule followers.

The disruption may indeed be controversial, but it's integrated without fuss or alarm, peaceful ways still cognizant of justice, willing to aid distraught virtue in peril.

L'amour.

Restraint.

Confinements of the hypothetical.

Urban tempers so feisty condoned.

An odd mix that could have been more controversial.

No comments:

Post a Comment