Tuesday, December 29, 2020
Jigureul jikyeora! (Save the Green Planet!)
Monday, December 28, 2020
Sunday, December 27, 2020
Saturday, December 26, 2020
Thursday, December 24, 2020
Waggles
Raccoon rejoiced reconstituted
recreational reputed
reemergent bumbleberry
joys traditional unwary
multifaceted immersions
bold interpretive discursion
regional fun flush and flair
the Yuletide celebrations dare
to joyously combat the virus
vaccinated plump papyrus
zooming festive feisty fervour
laidback interactive verdure
grinchy Covid disenchanting
can’t find much uplifting ranting
just an old school chill cartoon
where song enriches who and whom.
The Christmas Chronicles: Part Two
Wednesday, December 23, 2020
Legend
Tuesday, December 22, 2020
20 Million Miles to Earth
Monday, December 21, 2020
When I was very young, I used to tape every version of Charles Dickens's A Christmas Carol that I could find on television, and then sit back to critically compare them, and even if none of them ever challenged the 1951 Alastair Sim classic, I still enjoyed engaging in the active festive reckoning.
It looks like there are a number of newer versions for me to check out these days, the tradition having fallen by the wayside in recent years, including a series starring Guy Pearce and Andy Serkis, and it looks like I can finally view the Patrick Stewart version!, but, for all the Scrooge manifestations I've seen, and have yet to see to keep up to date, there's another that I've watched throughout the years with traditional yuletide vigour.
And that's An American Christmas Carol, with Henry Winkler as Benedict Slade, I still love that version to this day, and will be sitting back to watch it soon.
It doesn't dwell on fancy sets and props, in fact it's quite barebones.
But Winkler does such a great job in the miserly role.
And R.H Thompson adds a lot too.
Sunday, December 20, 2020
Saturday, December 19, 2020
Friday, December 18, 2020
Klaus
Thursday, December 17, 2020
Gadzooks
Wednesday, December 16, 2020
Holiday in the Wild
Tuesday, December 15, 2020
Merry Christmas, Mr. Lawrence
Monday, December 14, 2020
Sunday, December 13, 2020
Saturday, December 12, 2020
Silent Vigil
Friday, December 11, 2020
Jingle Jangle
A brilliant inventor modestly celebrates his most recent creation's genesis, a free-thinking figure that consciously reckons with independent advancing foresight.
Thursday, December 10, 2020
Wednesday, December 9, 2020
Sedmikrásky (Daisies)
Unconcerned with the traditional role patriarchically assigned their gender, two non-conformists set out to cause trouble, creatively disposed and mischievously compelled, they chaotically deconstruct with poetic candour.
Tuesday, December 8, 2020
The Heiress
An innocent artist, unconcerned with the world at large, is encouraged to take an active role, in environs she's ill-equipped to comprehend, but still willing to cautiously explore (Olivia de Havilland as Ms. Sloper).
Monday, December 7, 2020
Sunday, December 6, 2020
Saturday, December 5, 2020
Pot o' Chili
Friday, December 4, 2020
La Pointe-Courte
The opening image suggests mystery as the camera cryptically focuses on a piece of wood, whose grains resemble an ancient desert or plump and nimble whale baleen.
Thursday, December 3, 2020
O necem jiném (Something Different)
Wednesday, December 2, 2020
Project Power
The Marvel instinct is pejoratively packaged and illicitly cast for chaotic distribution, those taking the metamorphic drug unleashing wanton blind destruction.
It enables superpowers derived from beastly DNA, an individual's latent spirit animal emerging in death defying rampage.
A policeperson (Joseph Gordon-Levitt as Frank) keeps close contact with a dealer with the hopes of busting the network, but bribes and high level corruption make his duties grim untenable.
An ex-soldier (Jamie Foxx as Art) seeks the dealers who have kidnapped his only daughter, her unique multivariable metabolism having been used to create the drug.
They find themselves forging a team dedicated to preventing its sale.
Without that much to go on.
Trepidatious flounce and flail.
Project Power takes übermanche obsessions and distills them within a pill, the resulting crazed despotic X-Men committing brazen crimes at will.
It's not the deepest film but it makes the most of its barebones script, not many characters or deceptive scenarios but what persists isn't strained or dull.
A byproduct of preponderant superheroics is the desire to court invincibility, and people taking illegal drugs may express themselves accordingly
The difficulties the police have engaging the users are pronounced but the side-effects are largely ignored, there's no trip to the hospital like that in The Third Man, or a descent into madness like that found in Trainspotting.
Scholastic endeavour is directly criticized, the film seems to be saying there's no point. The film indeed criticizes the teacher more severely for seeking student engagement than the specific student for selling drugs.
School's a remarkable tool that can help you genuinely engage your mind.
Sometimes you have to make it more interesting (I believe Eminem's expression is, own it) rather than just critiquing education in general.
I've found the scholastic world's much more open, less rigid than worldly practice.
If it doesn't help you make millions, it can still help you develop your mind.
Unlock scholastic superpowers, give it a shot, directly apply yourself.
There's no shame in cultivating imagination.
Brilliant raps in Project Power.