Not to be taken too seriously yet not to be dismissed offhand either, the careful maintenance of lively imagination is a helpful tool for countering malaise.
Doug's 1st Movie captures this potentiality with active assertion and cerebral levity, as Doug's (Thomas McHugh) prosperous lighthearted daydreaming productively blends highest hopes with bewilderment.
He's faced with a daunting challenge after a pesky lake monster befriends him, and he discovers that local waters have been overwhelmingly polluted.
With the help of his trusty friend Skeeter (Fred Newman), they alert the local authorities, but the principal culprit owns most the town, and heavily influences trusted news outlets.
It's strange how polluters spend so much money advertising that they're environmentally friendly, a comparison between oil sands documentaries and industry ads providing an example of bleak disparity.
In Doug's 1st Movie a legion of well-heeled minions rivalling Sejanus's network of spies, is instantaneously and elaborately employed once the threat to Mr. Bluff's (Doug Preis) business is detected.
But rather than spending so much to conceal a reality that pejoratively effects the health of the town, why didn't he spend a commensurate amount of casholla actually cleaning up the polluted lake?
I suppose it's ideological, it's the belief that pollution isn't harmful, and the exponential generation of profits sacrosanct, devoutly tilled and strangely upheld.
Thus, a portion of the operating budget (or some budget or other) is spent casting a rosy image of disastrous environmental effects, to uphold an ideological perspective that equates health with profit generation.
I don't want to see people out of work, I'm in favour of patiently making industry as green as possible without job losses, I'm certainly not ideologically opposed to industry and the ways in which it sustains the livelihoods of so many.
But spending so much to suggest industry has no serious environmental effects, when that money could be alternatively used to mitigate them, doesn't make much sense to me, and many many others.
Fortunately, Doug's also prone to daydreaming which keeps his mind active and imaginatively composed, giving him the strategic hypothetical wherewithal to keep his new monster friend hidden for quite some time.
A surprisingly relevant take on sociopolitical relations, this Doug's 1st Movie packs a precocious punch.
A solid introduction to unfortunate realities.
Composed through thoughtful reverie.
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