But he has yet to fulfill a quest and thereby improve his chivalric standing, the lack of enchanted adventurous reckoning causing him sincere subconscious dismay.
Until one day alone in the woods what's referred to as "an old crone" mysteriously appears, and tells him of "steel dragons" and "magic boxes" far off in the distant future.
Soon he's transported to the present day without much information to clarify his purpose, when a weary damsel comes to his aid and provides food and shelter for the upcoming holidays (Vanessa Hudgens as Brooke).
She's depressed after having recently lost one whom she loved who treated her crudely, casting her off for the attentions of another who remains uncritical of his unjust behaviour.
As a result, an honest and trusting heartfelt lass has lost faith in true love, and even shares her woebegone misgivings with her confused students as they seek her counsel.
The knight proves a novel distraction as he reacts to the ways of the present, marvelling at the bounty to be found at the supermarket, chasing skunks, and learning to drive.
But he can't figure out his quest and its imposing deadline looms.
Will he find the solution in time?
Or will blasé cynicism ignite disdain!?
Amorously blending cultural codes from disparate centuries united by romance, The Knight Before Christmas exuberantly chronicles timeless star-crossed endearing affection.
Also rewarding charity and self-sacrifice it doesn't shy away from constructive do-gooding, and doesn't present scandalous ulterior motives for age old cohesive communal camaraderie.
Certainly one must remain vigilant to counter stratagems which prey on trust, but you also can't become so cold and isolated that you no longer recognize genuine honesty.
It's a fine balance that's continuously shifting as new developments strikingly emerge, patterns adapting to unprecedented reactions to newfound endeavours reverberating wonder.
Brooke's strong heart is rewarded by supernatural witchcraft concerned with well-being, the knight also learning to extend himself beyond traditional yearnings for legendary renown.
Within postmodern domesticity he finds grand adventure facilitated.
As so many often do.
Even if you rarely hear about it.
*Shot in brilliant locations.
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