He's somewhat of a virtuoso and was feared during World War I, his daring exploits exceedingly agile mechanistic maestro intuitive ignition.
He works as a bounty hunter recovering loot obtained by pirates, who grow weary of his nimble meddling, and hire a challenger to face him (Akio Ôtsuka as Donald Curtis).
His plane stalls, he's suddenly shot down, after just having made his last payment, the government changing and promoting fascism, which doesn't jive with his democratic sympathies.
Fortunately, friends have been made, one who'll set about rebuilding his plane (Bunshi Katsura VI as Mr. Piccolo), his granddaughter's brilliance seeking distinguished prominence (Akemi Okamura as Fio Piccolo), if she can stop love from fouling things up.
She designs his new wondrous jet stream just before the secret police arrive, the two escaping to Porco's secret hideout, which the pirates have meanwhile discovered.
The challenger arrives and is jealous of how much a maiden thrice widowed loves freewheeling Porco (Tokiko Katô as Gina), and defies him to fight once again, enough money to cover his costs versus Fio's begrudged hand.
L'amour's injudicious vicissitudes bewilder nimble Porco's individualism, the intensity swiftly increasing the more he denies them, the more he attempts to reconstitute anew.
Transformed into a pig who some quietly say can only have his curse lifted by heartfelt innocence, he worries intently about age and probability, still with no interest in settling.
Definitely the strangest Ghibli I've encountered (it's rather literal) yet still abounding in feminine strength, as it creatively contends with a bellicose world so often composed by combative men.
Versatile lyrics enlighten the madness yet inspire more danger as they're sought after, equanimous tandemed quaint domesticity reservedly tempting romantic plots.
A film certainly like none other this airborne Kurenai no buta (Porco Rosso) imaginatively glides.
What's love like if uncertainty abounds.
And you consistently take to the skies?
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