Hundreds of years pass and the thrill of ruling loses its appeal, he begins to seek out myth and legend to discover alternative adventurous yields.
He's led to a mythical forest reputed to nurture fascinating animals, whose unique supernatural existence endemically eclipses mortal agency.
Not that they likely wouldn't spiritedly co-exist with adorable hippos and freewheeling zebree, but having spent millennia secluded in wild embowerment it's difficult to determine how they may react.
Xu finds the entrance to their peaceful home but is mischievously prevented from entering, a feisty resident bluntly refusing his unexpected visitation (Fala Chen as Ying Li).
He slowly falls in love with her and she indeed with him, but he is forbidden from staying in the village, so the two depart for the outer world.
Children are born their family expands but Xu's enemies soon come calling, and take the life of his cherished bride which drives him into a chaotic fury.
Years later he believes he hears her voice behind a forbidden gate.
And swears to break her free.
Unaware he's tragically mistaken.
Shang-Chi's mythic secluded forest with its multidimensional peaceful species, immediately bring humble Ghibli to mind, and I wonder if Marvel and Ghibli influenced one another (Marvel Comic Books and eventually Marvel Film) over the bountiful contemporaneous years.
Or if legends of mythic forest villages gained more prominence as Asian populations expanded, the less forest the greater the mystery the more mythically profound the innovative narrative.
Thus, I may search for some books chronicling the development of forest myths in Asia, which perhaps refer to Ghibli and Marvel, that may be asking too much!
And perhaps stories need to be written of integral First Nations exceptionality, still at eternal play in the unexplored forests of Northern Canada.
So much to gingerly explore if only time and weather weren't pressing factors.
Experimental venturing June through September.
Novel expenditure come January.
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