Harold (Bob Hoskins), on the other endowed hand, creatively blends with intuitive agency, his prosperous organization having smoothly flourished and kept the peace for 10 solid years.
Thus, when he comes home from a trip to outrageously find his peeps under attack, he needs to improvise with eclectic fortitude to expediently reveal the clandestine culprit.
You wonder how Obama did it, how he governed so smoothly for 8 steady years, remember back to a time much more peaceful when radical initiatives didn't rule the day.
It wasn't that long ago, just somewhere around 6 volatile years, during which there's been an unpredictable focus, not to mention war, and a horrific pandemic.
The last 6 years have felt like 16 there's been so much tactical upheaval, so many mad disillusioning developments that challenge one's engrained trusting instincts.
I don't want to be suspicious since it's much less pleasant and generally agreeable, but when so many things just don't add up, you inevitably create theoretical explanations.
But if the current state of affairs seem reckless and your theoretical explanations even more so, cultural productivity may indeed be jeopardized if suddenly embraced, induced, disseminated.
But the bizarre and the hijinx-haywire seem to reemerge in the news every day, uncanny wild multidimensional mayhem recodifying mainstream matrices.
But it was only 6 years ago that you never would have thought we'd have worldwide carnage, or a viral plague destroying the middle class, or millions of people distrusting the world's leading electoral system.
I remember reading about radical tactics designed to make people stop paying attention (probably Chomsky), so it's important to stay in the loop even if it becomes increasingly distasteful.
While remembering ye olde Obama.
And a peaceful world respectfully strung.
So much desire for the bland sensational.
Sweeping equivalencies, overlooked, effaced.
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