But as fate would have it, he's a dead ringer for a widely sought after Hollywood star, and a reputed producer accidentally takes note and asks if he'll take part in one of his films (Ray Liotta).
Neither fortunately nor awkwardly, the star he's replacing suddenly passes, and he finds himself moving in on his career, soon married in the confusing spotlight.
A down-on-his-luck casting agent soon befriends and seeks to represent him (Ken Jeong as the Publicist), and he sees neither reason to protest nor oblige as he doesn't particularly care about what's happening.
His career slowly spirals out of control since he really has no idea what's going on, but still shows up on set and at dinner parties to make obliviously sincere appearances.
He's somewhat like Chaplin's Little Tramp but without the rambunctious versatility, the intense perplexing permutations which make his films so entertaining.
He's also kind of like Peter Sellers in ye olde Pink Panther classics, although without the bemusing repartee which leads to intuitive blundering captivation.
Perhaps if they'd been born at a later date they would have been more concerned with sleaze, and less drawn to borderline wholesome clever family friendly endeavours.
Imagine Charlie Chaplin having matured watching generally uncensored prime time romps, would he have even bothered to pursue filmmaking, and if so, to what inspirational degrees?
A contact once pointed out the protruding mean-spirits in contemporary comedy, whereas there used to be a sense of congenial accord there's currently much more dispiriting sadism.
Perhaps the same sentiments were there in the past but the tighter censors encouraged less carnage, or a more enthusiastic communal embrace, striving to disseminate respect and well-being.
Not all the time, the insouciant management of integral cheek still startlingly manifest, where to establish the balance difficult to say with relative collegial im/precision.
Then again, Fool's Paradise may be making this very same point without having expressed it.
Could be taking an ironic swipe.
Lamenting what's clearly missing.
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