Wednesday, November 13, 2024

Fata Morgana

Fascinating to hear so many myths imaginatively delineating nimble creation, so many cultures effectively emphasizing dynastic difference enigmatically sewn.

The age of storytelling enduring for millennia it must have been entertaining to listen to such tales, as they transformed and mutated and diversified throughout the casually passing centuries.

At times it seems as if the divergent narratives were inspired by different beings, and that it was potentially several alternative alien visitors who taught different customs around the world.

Or perhaps not different alien groups but the same group over long periods of time, who changed remarkably on their homeworld amongst intermittent visitations.

I've never understood why different cultures are so fussy about creation myths, and why with the advent of international communication it doesn't seem somewhat silly to insist they're true.

To insist they're incredible stories elaborately crafted to be heard again, even more captivating when compared with one another, makes much more sense in my opinion.

Fata Morgana evocatively presents eclectic images from Algerian deserts, and showcases them stitched together while a narrator recites a creation myth.

The myth isn't overflowing with pizazz and didn't generate that much interest, but the random collection of images and entertaining soundtrack made for cool old school accompaniment (Leonard Cohen).

I remember an old working arrangement where I was tasked with encouraging young ones to read, and I showed up one day with a book of myths which we read together for a short period.

The memory stands out because the child was so dismissive at the time, not just of the myths we were reading but of the existence of creation myths themselves.

He was so scientific, I started laughing, I wasn't expecting to hear so much criticism from someone that young.

But you can't count out the feisty Québecois.

Even when they're Anglo like in this instance! 

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