Tuesday, November 19, 2024

Aguirre, der Zorn Gottes (Aguirre, the Wrath of God)

As colonialism expands in the jungles of South America, the Indigenous inhabitants engage in trickery, wholeheartedly convincing several of the invaders that a vast city of gold exists deep within, the tale too tantalizing to ignore, soon a diverse outfit departs in pursuit.

Unaccustomed to the haunting jungle with its sweltering heat and bugs and mud, the ensemble makes slow progress initially until confronting a hostile river.

Here the group splits up with many of the party remaining behind, as a courageous group virtuously led bravely sets out alone down its course.

Virtuous ideals clashing with blunt pragmatism such strained relations when people don't value life, ironically tormenting the high-minded colonialists who had already instigated so much Native carnage.

Conflict abounds as the lethal Aguirre soon disagrees with his captain, and plans a much less sympathetic voyage weak on heart and strong on ambition.

He's able to persuade most of the company to boldly adhere to his brutal methods, as they drift deeper into the jungle on their adventurous own without knowledge or know-how.

Their rafts are detected by Natives hoping not to suffer like their enslaved brethren. 

Arrows picking the Spanish off one by one.

As Aguirre's madness irascibly intensifies.

A remarkable feat of filmmaking which took considerable risks to accomplish its goals, hats off to the daring cast and crew (plus Herzog) who set out on the river expedition.

It mustn't be as dangerous as it looks or else I doubt anyone would have agreed to do it, and how did the camera crew get all those shots as the wild river raged with absolutist fervour?

A former prince even travels amongst them and bitterly complains about his newfound bearing, not much is made of the dynamic character but he does show up from time to time.

Adorable animals occasionally adorn the blood-soaked verse with contradictory tender, but at times they aren't treated humanely most notably the awkward rebellious horse scene.

Music also interrupts the flow of augmented acidic despondent mutiny, as mellifluous sounds generously erupt from an endemic pipe playfully attuned.

When you stare into Kinski's eyes it really is like you're sailing through an abyss, it's like he spent so much time furiously exclaiming when they weren't filming that he forgot to radicalize his lines on set.

A marvel of cinematic industry that likely never would have been made if the mechanics had been scrutinized, I can sincerely applaud its visceral fortitude assuming the cast and crew knew what they were getting into. 

📽🎞

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