Arizona Dream

Reliable independence eccentrically maneuvering from one spirited random job to the next, compelling experience artistically dispersing enigmatic vehicular labyrinthine waves. 

Freely lost in the intriguing maze with neither career-oriented objective nor financial goals motivating, the integral wonder of consistent experiment continuously riveting incremental strides. 

Until you're tricked into one day returning for an old school function off in the void, and your childhood hero emphatically tasks you with regular employment definitively supplied. 

Unobservant and oblique the following days psychologically distressing, until a suicidal heiress and her flamboyant step-mom suddenly stop by to purchase a Cadillac. 

Invited back to their oddball stronghold to mix and match variable witticisms, he of the mercurial artistic temperament viscerally seduces the uncanny widow.

Why not make a flying machine that aerodynely searches the skies, for no particular reason whatsoever but to lovingly embrace aeronautic freedom?

The moribund millionaire also falls for his otherworldly irresistible authenticity. 

His companion floundering in the flotsam. 

As exotic reveries concretely jettison. 

*Do you think dreams are sending us secret messages dad, that relate to everyday life?

**It's difficult to say, son, and it's different for different people. You can write down what happens in your dreams though, and then see if it becomes a reality. After a while a lot of people realize it doesn't, although, there's always the possibility they're misreading the signs.

*Who can read the signs accurately, dad? Do experts in the interpretation of signs exist?

**There are doctors who know something about it although they constantly bicker amongst themselves, and so many alternative theories exist that at the end of the day it comes down to faith.

*Like trust in the doctor?

**That's right, you see, they may be incorrect, but they know more about it than you, so their mistakes are likely more advanced than yours, and therefore to potentially be taken into consideration.

*What about popularity? Does popularity influence interpretation? 

**Well, the brightest of the doctors sometimes becomes the most popular, and since his or her mistakes are likely closer to being correct than his or her counterparts, they become what's known as, en vogue.

*So many people listen to others even though they're also incorrect?

**That's right son, that's correct.

*Strange, this world of dreams.

**Have a good sleep, son.

*Will do.   

Bagdad Café

A marriage suddenly breaks up while the couple travels through the Mojave Desert, the wife taking a suitcase and venturing forth to the closest accommodating hotel (Marianne Sägebrecht as Jasmin Münchgstettner). 

The hotel's seen better days and lacks commercial intuition, a delirious rut having settled in which drives away most potential customers.

But Jasmin sees lucrative possibility virtually isolated in the Mojave, and whereas the owners (CCH Pounder as Brenda) have abandoned ship, she strives to keep the craft afloat.

Fortunately, her versatile industry and its accompanying foresight and vision, aren't lost on the cafe's staff, and soon metamorphoses materialize to bring paying clients back again. 

Further, sloth and anger slowly fade into bitter oblivion, gradually replaced by ingenuity not to mention bold showpersonship.

Ms. Münchgstettner isn't a demanding taskmaster sternly managing the forlorn crew, she rather leads by efficient example to avoid unproductive arguments with her co-workers.

Her example proves effective and her lack of ego inspires change.

But she doesn't have the necessary documents. 

To hold off deportation. 

Having spent some time North of 60 I have a latent fascination with the desert, from alternative meteorological extremes, regarding the perseverance of active life.

If people and animals can find a way to live in distressing ubiquitous cold, why not the heat as well, swelteringly abounding with solar energy?

I'd have to keep sunscreen close at hand and resourcefully find shade wherever possible, my myriad freckles indubitably intensifying within the unforgiving heat!

With shade acquired and a general lack of alarming nauseating sunstroke however, it would be fun to work somewhere like the Bagdad Café for an indeterminate period of time.

If you ever visit the countryside and go with the flow at work and play, you may discover a world of wonder at novel peace home on the range.

It's not always like that of course but I was lucky in my youth.

I don't regret having had to leave.

But sometimes I wish I'd stayed. 

The Walk

The ultimate performance, unannounced and unanticipated, sheer indubitable factualized vision, confidently clinging to an irrepressible irresistibility, lights, camera, action, essential timing delicately stretched, sensational spotlights, a breathtaking parlay.

With the unknown.

The exponential.

High-wire walking between the twin towers.

Nitroglycerin.

At the break of dawn.

Again, a team, symphonic accomplices, taking great risks to accomplish the legendary, photographic amorous mathematical mingling, caught up in the surge, improvised precise romantics.

Hijinks.

It's an entertaining performance, The Walk, its subject matter providing inspirational added value, tenderly heightening taut peculiarities, the underground's apex, transcending on cue.

Joseph Gordon-Levitt (Philippe Petit) holds it together.

He exuberantly functions as both starving artist and master of ceremonies to conjure an athletic tribute to will and determination, like you're seated in the front row of a stealth big top, ideal showpersonship, nimbly navigating in stride.

In English and French.

Walking the line, North to South, back again, wild card or integral force?

You decide.

Although The Walk isn't exactly cultivating fallow artistic ground, it's still permeated by intense awe inspiring wonder, like gelatin or spontaneous friendship, swaying and blowing with the breeze.

It seems like Zemeckis was genuinely concerned with fascinatingly presenting a down to earth yet wily crowd pleasing sentiment, and with the cast and crew energetically on board, and the climax pressurizing the audacious, I found little to critique about this film, caught between two worlds, a Parisian New Yorker's lexicon.

L'Écume des jours (Mood Indigo)

Assembly lines randomly recite a literary legion of improvisationalists who immediately harness their impressions ensemble with the goal of creating a tale of romantic note.

As the awareness of being written gesticulates limitless extraneous sensual amenities suddenly enlighten, becoming subjects of study or being callously yet festively disregarded, foreshadowing the genesis of love's interest.

The amenities coalesce with a practical and ingenious array of irresistible logical displacements whose metaphoric merits urbanely defy any sense of symmetrical cohesion.

What a world, what a world.

A tragic plot does take shape however whose voluminous sorrows, intricately and in/tangibly elaborated upon and refined, bear witness to the indoctrination of the real, whose vice-like grip expedites decay, within.

It's pointless to say that L'Écume des jours (Mood Indigo) should have been more surreal due to its experimental necessarily incoherent design, since its residual plot provides enough relational factors to make its aesthetic accessible, truly as a subject of beauty, and, if I'm not mistaken, Michel Gondry's saying that a minimum layer of consistency and logic enables radical indulgence to support its erratic spontaneity, although the internal despondency was disquieting as the film progressed.

Don't think I'll ever think of indigo again without thinking about this film, or stop searching in vain for a neat pianocktail.

Terraces in the afternoon.

Nothing but time.