Trucks

Machinery has on awkward occasion posed philosophical questions while at work, the consistent use of fuel-powered-entities blended with distraction leading to hypotheses. 

Such theories no doubt imaginatively aided by consistently observing different narratives throughout life, the uncanny ludicrous application of televisual conceit to work and play.

But if oil and gas is eventually created as life inevitably dissolves, it was therefore once indubitably alive in possession of thought and spirit and appetite (Plato).

Machines inarguably seem inanimate when not turned on when lying dormant, with no fuel warmly generating power to encourage motion and requisite function. 

But when active does the fuel they burn once composed of life once again draw breath?, ontologically igniting ancient schematics blueprints attuned to reanimation. 

As the reignited organic material takes hold of the metallic construction, it nurtures different kinds of behaviour, which is why machines seem like they have personalities. 

Thus, one takes it easy with older machines less intimately acquainted with flexible immediacy, while it's fun to reasonably play with brand new constructions recently made.

Trucks takes things to the next level and gleefully removes the human factor, the trucks indeed suddenly turning on their once unsuspecting masters.

As they take over the small town of Bridgeton there's little that the lords can do.

Besides try to find a way to get out of there.

Before machine-kind embodies absolute rule. 

*Isn't this what you'd call crackpottery dad, machines coming to life and killing everyone?

**That's certainly an argument you can make son, although the off-kilter theory still mystifies.

*Tough to stop your mind from wandering when doing boring stuff, isn't it dad?

**It's helped to make so many cool stories.

*I still don't think machines are alive.

**You're probably right. But, really, who's to say? 

*Sigh. Okay, maybe driverless cars are a bad idea.

**Good to keep humans in the loop son.

*No doubt. I don't know what I was thinking.

**A.I can't freakin' drive cars. 

*Loved the station wagon. 

Godzilla vs. Kong

The idea that Antarctica is home to vast enticing treasures has spellbindingly appealed to me for many a year, the thought that it was once inhabited millions of years ago makes me envious of those who will see it thaw.

Godzilla vs. Kong speeds things up a bit to archaeologically respond to an emboldened theory, which maintains that the Earth is hollow and that an ancient civilization dwells within.

It's theorized that both King Kong and the mighty Godzilla resided there in their youth, and somehow broke free to disputatiously arise upon the newfound realms above.

King Kong settling on his cherished island where he made the fertile land his home, Godzilla residing beneath the waves at times emerging through bellicose intrigue.

Why must Godzilla attack when he consciously knows of King Kong's bearings, why can't they both make peace and congenially bask in apex acupuncture? 

I didn't even know there was a new Kong/Godzilla film when I wrote my Gojira tai Mekagojira review in early winter, I was just reviewing random Godzilla films because that's what appealed to me at the time.

But my Highlander Godzilla scenario certainly applies to 'Zilla and Kong.

And lo and behold Mechagodzilla as well!

I couldn't have been more pleasantly surprised. 

I hope people don't fight wars over Antarctica as it thaws, such endeavours would seem rather costly considering the inhospitable environs. 

Unfortunately, economic wealth does appeal to many but so does anthropology!, and if it significantly thaws during the wrong financial crisis competing nations may clash for its wealth.

Don't overlook the integral import of Indiana Jones films in the fantasy sector, they challenge plutocratic impeti and encourage intergenerational cultural growth (not resource exploitation).

Kong and Godzilla seem to come to terms after battling Mechagodzilla in Godzilla vs. Kong, as it seemed the United States and the Soviet Union resiliently would after defeating Nazi Germany.

Perhaps the next versatile film won't see the emergence of a cold war (I think it was just released), an archaeological investigation of the Hollow Earth would be apt perhaps featuring ye olde Dr. Jones.

In terms of constant improbable ridiculousness multivariably motivating competing interests, within a fast-paced imaginary plot where so many things could possibly go wrong, Godzilla vs. Kong doesn't disappoint and was a lot of fun to sit back and watch, multilayered and inherently uncanny, indeed what lies deep within the Earth?

It's at least as appealing as outer space! 

Maybe not that appealing.