Showing posts with label Jeremiah Zagar. Show all posts
Showing posts with label Jeremiah Zagar. Show all posts

Friday, October 27, 2023

Hustle

Hustle does a great job of pointing out how much solid work goes into crafting a professional sports team, just by focusing primarily on one gifted scout (Adam Sandler as Stanley Sugarman) who runs into problems when the owner's son takes over (Ben Foster as Vince Merrick). 

It's like a 24/7 job it's rare he ever stops concentrating on basketball, he consistently sacrifices so much for the team without much complaint or sharp contradiction.

He has an amazing job and gets to spend his time doing something he loves, and can concretely see his emphatic results each time a player he's chosen makes a cool play.

I saw him like a representative for what generally goes on behind the scenes in professional sports, for the tens of thousands of people diligently working to put a dynamic team together.

Even when that team isn't playing well the wheels are still in perpetual motion, making deals and calls and observations hopefully leading to that next championship.

When you think about how many thousands of people are habitually competing to build the next champion, it does seem like the odds against anyone ever winning are so astronomically high that victory's miraculous.

And then if you see your outstanding favourites lose the Super Bowl three times in your curious youth, and then come back to pick up back to back wins less than ten years later, with the same quarterback, you can't help but be thankful to the organization.

If you do actually win the championship it objectively validates every decision made that season, you can take a break and sit back and bask in heralded pseudo-divine contemplation.

Each step of the way not just the winner it's still better to get there than not make it at all, it's like every organization is fighting for each inch of ground at all times and never even considering coming up short.

At least that's what characters like Stanley make me think with their healthy attitudes that keep things focused, with some jobs you have to continuously adapt at any given time with inquisitive reflexes.

That was amazing when the Raptors won I never thought I'd see that happen.

I was pissed Dad didn't get to see the Leafs win again before he passed.

But honestly, he loved basketball so much more.

I'm so happy he got to see that.

Hustle's worth checking out.

Tuesday, October 16, 2018

We the Animals

A creative child, impoverished and sensitive, hesitant and withdrawn, immersed in domestic violence explosive tempers rigid flair, bipolar ontologies practically conditioning tempestuous mindsets artistically grained and fractured, love amorously swathing, freedom recklessly improvising, a lack of consultation disputatiously igniting frayed conscience, with striking elementary animosity, fell off the deep end, woe heartaches disbelief, still anchored constitutionally, to sights sounds preached ruptures too familiar.

Tough life for the little guy.

The love's there, no question, but paps doesn't get that he's just not the type of kid who learns to swim if you unexpectedly let go.

A budding young illustrator, painter, designer, architect, explicitly classifying the chaos as unconfrontationally as he can, attaching meaning to the inexplicable with tactile ambassadorial artifice, a collection accrued amassed, grotesquely misinterpreted upon discovery.

He finds it thrown away.

Learns to keep his head above water.

There's no support network overflowing with concerned expertise.

Just actions, reactions, patterns, nature.

A lack of understanding.

Existence.

We the Animals relies more on emotion than rational discourse as it presents itself, a stunning array of carefully selected snapshots delicately scolding in volatile willow.

There's nothing easy about this film, the characters patiently move from hardship to hardship supporting themselves as they frenetically endure, or become accustomed to livid passionate embraces, some people learn to thrive on conflict, a strange inhospitable disposition divisively characterizing sullen negotiation.

Odd habitual inadmissibilities.

An excellent film regardless which pulls you in with unassuming composure, not to be taken lightly even if endearment shines through, not to be bluntly dismissed even if scenes are strictly brutal.

When you see her sleeping on the couch one morning surrounded by mischief you think that must be something exceptionally adorable to wake up to.

But a lack of both resources and community services, and a strong desire to make their own way, lead to violent emotional outbursts which make their situation haunting and desperate.