Aus dem Nichts (In the Fade)

Germany was a ruin at the end of World War II, rubble and ash produced by insane bigots who thought they were incarnated Übermensch playing out predestined roles.

The Russians crushed them.

The Allies dealt them crippling blows.

Tens of millions dead, goals unachieved, millions still mistrust and vilify Germany to this day, and even if postmodern Deutschland sets the standard for environmental sustainability and multicultural inclusion, and Nazi Germany was governed by brutal thugs who terrorized many into submission, when you watch World War II documentaries about Nazi death camps, or see how they slaughtered local populations when retreating, it's still difficult to separate the horrors from contemporary wonders, the scum, from the conscientious.

I do separate them, Germany shows up in the news doing something incredibly advanced so often that I can classify Nazi Germany as an aberration, and 21st Century Germany as a triumph, but watching those videos provokes latent passions that can't simply be reasoned away with vigour or ease, they were so systematically brutal, so void of compassion or humanity.

It's happening again elsewhere.

Atrocities that shouldn't have been forgotten have been forgotten and new generations of violent racists are once again politically active, have been for years, unconcerned for the lives and futures they would ruin, unconcerned with anything but themselves.

Aus dem Nichts (In the Fade) presents a loving family whose husband is a model of rehabilitation after having served his time in prison.

He's devoted to raising his son, loving his wife, and doing his best at work every day to provide for them.

Their multiethnic family is thriving and making positive contributions to greater Germany, but this offends a Neo-Nazi couple, who detonate a bomb in front of their multitasking business.

The husband and son are killed, and the wife is left suffering ad infinitum.

The film hauntingly focuses on her grief to accentuate the extreme hate crime's malevolence, the eventual trail of the murderers an exercise in sheer torture, as a victim must directly face the impenitent killers of her family.

What is reasonable doubt?

It must be incredibly difficult to make such decisions.

Reason isn't a blue sky or a shining sun.

As many others have pointed out, the vicissitudes of reason rationally articulated can logically drive someone insane, especially if they're the victims of a crime.

And the perpetrator's guilt is obvious.

Aus dem Nichts moves from despondency to hope to vengeance as it desperately seeks retribution.

Patience is an aspect of the sublime.

But how does one keep a cool head when forced to contend with total chaos?

With inflexible ideology?

Does logic apply to the actions of victims of terror?

Rationally?