Tuesday, October 1, 2024

Chocolat

Growing up alone and isolated in a foreign nation while nestled in the country, a young child observes the inner-workings of a French colonial government.

Things generally proceed without dilemma, issue, hiccup, or re-modification, since her father's level-headed and makes Indigenous friends and local contacts.

He's gone for extended periods pursuing various governmental initiatives however, leaving his wife and child in the steady care of a clever resourceful citizen.

Who's been able to casually bridge relaxed European and African customs, with fluid evocative hands-on knowledge he feels at home wherever he goes. 

He's a jack-of-all-generational-trades and gets along well with both parents and children, like a cool open-minded and friendly babysitter who can also fix the generator or chase away hyenas.

The routine life upon the compound proceeds dependably without much uproar, although a plane lands one day nearby due to unfortunate mechanical malfunctions. 

It introduces a cast of characters representing less settled colonialist viewpoints.

Little France observes with wonder.

While the adults search for temporal occupation.

Chocolat presents a raw depiction of a select period from an atypical life, offering accounts of unfiltered memories that seemed peculiar to youth in blossom.

It's fun to watch Claire Denis's film because the narrative isn't strictly linear, there's a story that progresses throughout no doubt but it's broken up by random occurrences.

It's like a thoughtful surrealist embarkation into the innocent world of youth and playtime, in a sincere environment where the child tries to make sense of the strange conversations held by different adults.

The memories are like cool flashbacks to uncanny airs which must have seemed odd, certainly not like the familiar adventures she would have imagined with other bureaucrat children.

As it unreels, one scene after another depicts a fascinating narrative technique, where everything fits, nothing's misplaced, but the individual scenes are like mini-stories of their own.

You can pick and choose the individual tales as if you were leafing through an anthology, or watch them in succinct succession as they serpentinely structure a mischievous yarn.

Like being transported back to early childhood to freely reflect upon bewildering pastimes, the mesmerizing curious vignettes peacefully prosper through animate invention.

Held together by an African saint who can efficiently tread so many walks of life.

Unlike anything I've seen before.

Unique beauty inspired in motion. 

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