Showing posts with label Canonized Artistic Objects. Show all posts
Showing posts with label Canonized Artistic Objects. Show all posts
Friday, April 23, 2010
Some people work well with generalities, others with specifics. The highly specific well-rounded subjective world crafted by the insightful artisan endures the destructive assaults of the objective generalist, assaults which still manage to encourage creativity which in turn nurtures and deconstructs their author. The canonized object of artistic merit endures because its particular character is so highly refined that it becomes a subject of critical veneration, the particular then slowly becoming general. The generalized archaic maxim exists to provide a source of cultural comfort, the Artist castigating its merit, which in turn, eventually, revitalizes it. The positive archaic maxim functions as a wise cautionary tale, the negative, a revolting stereotype, the middle ground, culture.
Tuesday, February 23, 2010
Tuesday, August 11, 2009
Cannonballs
One of the surstratas duties is the construction of realistic representatives of canonized objects, in singular or in combination (the duration of the canonized manifestation lasting for a predetermined period of time inversely proportional to social circumstances encouraged). Hence, when you meet a pair who you think ideally reflect both sound and fury, it's not that you simply think this, it's that they are The Sound and the Fury brought to life for your bemusement.
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