Wonder Woman

Fearless Diana (Gal Gadot/Lilly Aspell/Emily Carey), inquisitively nestled within her disciplined Amazonian bower, an island apart eternally bound to its rigour, its logic, its tenacity, her information hunger - her desire to learn - overflowing with nimble versatility, her lessons strict and hands-on necessitating stealth until maternal permission is granted, her aptitude ingenious and multivariable like Marie Curie or Meryl Streep, cloistered indefatigable incisive honourable distinction, suddenly combatting the Kaiser's Germany, then slowly falling for a courageous spy.

The fated day when she would leave her home to battle the unsuspecting Ares having arrived, she departs for Allied Territory (London), remarkably smooth and safe sailing accelerating her journey, where she must learn to navigate the world of men, and balance the heroic and the hideous while embracing potent conflict.

An armistice is within reach but a mad officer still seeking German victory (Danny Huston as Ludendorff) facilitates the development of a doomsdayesque gas, the deployment of which could quickly subdue England.

Diana, Steve Trevor (Chris Prine), and their peerless team boldly set out to stop him.

They even schmooze at a decadent Teutonic soirée where the participants oddly converse in English.

But Ares has alternative plans.

And will confront Diana with knowledge dark and incapacitating.

Awaken.

Resiliently awaken doth she.

In one of the cheesiest diabolical clashes I've seen, which goes along well with the equally cheesy extremely reductive inclusion of Greek mythology, the DC films still lacking the provocative yet practical grit that distinguishes their Marvel but not Dark Universe competitors, focus on Christopher Nolan, not on the oft overlooked Darkman.

Diana's forthright innocence could save Wonder Woman from this criticism however, for the most compelling aspect of the film emanates from her agile altruistic vocal integrity, the ways in which she immediately finds real world solutions to devastating problems that have bureaucratically resulted in millions of deaths, as a matter of regal nerve.

Her dynamism is captured by the antics of the eventually faithful team which accompanies her into No Man's Land as well.

If the superhero in question possesses a noble and pure constructive brave simplicity, does it not make sense to surround them with diverse cheeses, their resulting actions producing exceptional melts, healthy sandwiches, and robust salads thereby?

That's not what I mean.

Diana's scenes in London are warm, funny, thoughtful, and assertive, i.e irresistible.

Etta's (Lucy Davis) super cool too.

Question: would the Amazons have chosen to dress like that?

Controversy?