Churchill

Qualifying the identity of a charismatic colossus with definitive ambient converging characteristics can be as politically crafty as the individual under observation, if sober rhetoric is to be biographically evidenced, the resultant identity less of a fiction than an interpretive constellation/polemic/homage/impression, narrative arguments creatively distilling personality inasmuch as their propositions are culturally elevated, for a time, for a fissure, for a season, skilfully situating themselves within broader agitations depending on the motivations of their supporting cast, like strategic serendipity, or a bit of provocative horseplay.

The wonderful thing about In Search of Lost Time is that it follows the same characters for thousands of pages throughout their lives, Proust intricately demonstrating how different ages and relationships and fashions and successes/failures privately shape mass marketed caricatures, a book about someone's life seeming more like a resonant aspect within such a frame, even if the press may still play the Ignatieff card if it so chooses.

So much diversity condensed into stereotypical miniatures which guide light yet edgy conversations with the playful wit of meaningless escapades.

Unless they're about Trump.

Monster.

Jonathan Teplitzky's Churchill sympathetically examines the great orator's rational wish to not repeat World War I's Gallipoli disaster.

His criticisms of Operation Overlord, as logical and sound as they appear, were countered by alternative evaluations which were rather unappreciative of his sustained opposition.

The realization that his viewpoints weren't militaristically cherished briefly derailed his confident locomotion, the film humanistically yet melodramatically suggesting that this was the moment he completely transformed from military strategist to political exponent.

Chruchill (Brian Cox) the man figures more prominently in Teplitzky's film than the immutable godlike figurehead I've encountered in books at times, a compelling cinematic feature considering how respectfully leadership at the highest levels is depicted within.

Cognizant of the great unknown, the approach of less critical engagements, he strove on regardless, cultivating tidal pride.

James Purefoy (King George VI) delivers a brilliant supporting performance.

Brian Cox also excels.

*Forgot to mention the ways in which Churchill's editing process is dramatized: fantastic. At least when he's searching for the right word.