Friday, February 8, 2019

BlacKkKlansman

Do you remember when you were really young and differences between peoples weren't emphasized, criticized, aggrandized, socialized, when everyone you met was just someone you were meeting and there weren't any ridiculous stereotypes ruining cultural communications?

Before small-minded misperceptions with hateful agendas attempted to dismally attach specific labels to races and ethnicities, when things were rather peaceful and calm, when there weren't any differences between peoples?

I attended an anti-racism seminar years ago and its facilitator emphasized this point along with many others that logically broke down hate fuelled ideologies.

It's still absolutely clear to me, no matter what the racists try to claim, that there are no specific differences amongst peoples themselves, just alternative cultural traditions, which both enrich one's life when curiously explored, and celebrate the constructivity of intellect across the globe.

You can educate yourselves about them online or at your local library or by attending various cultural events, there's an infinite number of positive community-building materials freely available for curious minds, in a variety of different formats, the constructive peaceful materials themselves functioning like a chill multicultural spirit, which enlivens and emancipates minds with carefree convivial charm.

The world can be quite cruel of course and many conflicts are so complex finding solutions for them is a herculean task as long as both sides won't lay down their weapons.

Spike Lee's BlacKkKlansman examines both sides of the African/European American racial or ethnocentric divide to shed sombre light on how divided many black and white peoples living within the same community are in the United States.

An intelligent caring African American individual (John David Washington as Ron Stallworth) joins the local police force within, and soon finds himself working covert operations.

He sees what the world could be like if racial and ethnocentric stereotypes didn't divide so many peoples, and agilely walks the razor's edge to promote less confrontational ways of living.

He's aided on the force by a brave cop named Flip Zimmerman (Adam Driver), who infiltrates the Ku Klux Klan in order to find out what they're up to.

They're assisted by a multicultural team dedicated to both preventing violence and promoting sustainable living, even if some members of the force don't see it that way.

I know the police often act foolishly because people often catch them acting foolishly in videos posted online.

But don't forget that there are many cops out there who are dedicated to both preventing violence and promoting sustainable living as well, and they're there to serve and protect regardless of race or ethnicity or sexuality.

Why would police promote a violent world when it's their lives that are on the line when violence erupts?

It doesn't make sense.

Doesn't make any sense at all.

Spike Lee emphasizes this in BlacKkKlansman, an edgy film that lampoons the KKK and celebrates strong individuals dedicated to fighting racism.

Perhaps too light for subject matter this volatile, it still takes the reckless, thoughtless, unethical comedy that's erupted in the U.S in recent years and turns it on its head to formally deconstruct it.

I don't know how many people will understand that that's what he's doing, or even if that was his intention, I'm not Spike Lee, but in the final moments it's clear that BlacKkKlansman is meant to be taken seriously.

Extremists take peaceful inclinations and use fear to transform them into paranoid disillusion.

The key is to simply stop listening.

And focus on continuing to cultivate communities where their nonsense need never apply.

Period.

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