Friday, July 23, 2021

DragonHeart

The legendary influence of brave King Arthur still honourably remembered throughout the land, a formidable knight (Dennis Quaid as Sir Bowen) rationally instructs a young prince (David Thewlis/Lee Oakes as King/Prince Einon) in the art of cultural governance.

But his teachings are rebelliously ignored as the arrogant Prince comes of age, even after he promised a dragon he would rule wisely, in exchange for the gift of reanimation.

Thus, he becomes cruel and wicked and the people live in disquieting fear, hoping to generally avoid his lavish caprice as they seek sustenance, friendship, and shelter.

The knight falls upon hard times and spends his days pursuing dragons, whom he blames for corrupting his pupil with zealous malevolent menacing magic.

He's incorrect, however, it wasn't the dragon's heart which inspired his tyranny, he was just none too fond of brotherhood and was rather upset when the villagers killed his father.

One dragon outwits noble Bowen and convinces him to embrace bold trickery, to put on a show where he pretends to save a village from the dragon's wrath, and then pockets the coveted reward money.

While engaged in these fraudulent shenanigans a spirited damsel calls out their ruse (Dina Meyer as Kara), a damsel who's just escaped from the King, and is encouraging audacious insurrection. 

They're rather embarrassed and ashamed yet she also reminds them of Arthur's code, after which they forge a loyal alliance earnestly determined to challenge the King.

The King believes himself to be safe and capable of outmaneuvering a band of rebels.

But they're much more organized than he thinks.

Passionate conflict irascibly ensues. 

It's not as intense as it sounds in fact it's quite lighthearted and foolhardy throughout, as Bowen and the last of the dragons creatively argue and discuss history.

Indeed, the lighthearted nature of DragonHeart made me think the comedic potential of dragons has yet to be convincingly explored, a foul-mouthed cheeky ironic lazy dragon perhaps to emerge in the 21st century.

Rather than aiding a distraught hero as he or she engages in epic discord, or simply guarding treasure and punishing those hoping to steal it, he or she could find work in a disingenuous small village, and wholeheartedly take part in wisecracking thereafter.

Perhaps something out of the ordinary would emerge by the film's playful abashed final moments.

Or it would just embrace jaded mischief throughout.

For a solid hour and forty-five minutes. 

*With Pete Postlethwaite (Gilbert) and Jason Isaacs (Felton).

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