Shaft

Racism erupts with full-on blind distressing malevolence, as an African American steps outside, and is beaten to death by an irate brat.

Previously, the brat (Christian Bale as Walter Wade, Jr.) derisively employed stereotypical misconceptions in a distasteful attempt to brazenly humiliate him, but he responded with calm rebuttals which incisively turned the tide.

A witness to the murder exists but she fears for her health and safety, and swiftly disappears when approached with questions (Toni Collette as Diane Palmieri), detective John Shaft (Samuel L. Jackson) understanding yet unimpressed.

Wade is granted bail and departs for Switzerland shortly thereafter, where he remains for a scandalous two years before he returns and is taken back into custody.

He's granted bail again and makes it known that he's impenitent, yet the witness still exists, which makes him nervous if not frightened.

He enlists the aid of a local drug dealer (Jeffrey Wright as Peoples Hernandez) to discover her wayward whereabouts, but he isn't eager to help, without ample compensation. 

Shaft's on to them as well as members of his own department who are assisting their criminal endeavours, cleverly messin' up their plans, as they engage in grand malfeasance. 

But can he locate the witness in time, and even then, is she willing to testify?

High stakes practical ethical reckoning.

An honest cop, entrenched corruption.

Shaft (2000) delineates hardboiled boundaries with hyperreactive retributive dissonance, freeflowing justice materially manifested through lucid teamwork and reverent calm.

There's more to it than many a cop film as it boldly resuscitates dormant proclivities, by encouraging active prolonged dis/integration within a thoughtful volatile recalibration.

At first I though the subject matter was a bit too blunt, perhaps bordering on the sensational, but considering the shocking tragedies continuously emerging in the U.S, the narrative packs a realistic punch these days.

Is it not preferable to embrace less polarized divisive political optics, in order to cultivate a cultural aesthetic which isn't obsessed with race or creed?

As many others have humbly suggested, in response to different dilemmas over the centuries, isn't it more cost effective and less economically disorienting, to forge common ground upon which to pursue life?

I imagine the police would like to have less to do, or to apply themselves to less catastrophic scenarios.

Hope that's the case anyways.

Life's so valuable.

It's important to live it. 

*With Dan Hedaya (Jack Roselli), Busta Rhymes (Rasaan), Pat Hingle (Hon. Dennis Bradford), and Richard Roundtree (Uncle John Shaft). 

**Outstanding performance from Jeffrey Wright.