Fortunately, as time passes and resonant patterns are detected, one is able to generally predict what will physically emerge, structural dependability routinely reckoning as if coherence were indeed endemic, the same buildings appearing on the same streets, libraries convergent, impeccable sandwiches.
The sure and steady can lack variety so spice is eagerly sought like in Plato's Republic, and tempting alternatives emphatically compete to provide soulful sustenance exotic flavour.
Thus the arts envision trajectories upon which to reimagine certified certainty, various in/distinct bold metamorphoses cleverly conjuring kaleidoscopic craving.
Sentiment and novelty oscillate within as abstract patterns extract newfound tradition, but with less elementary toned durability than a street or a house one might expect to see.
Gregarious garnishes astounding adornments laidback lynchpins sombre tomes, remonstrance rhetoric polarities syntheses multiform blends unilateral conceit.
Proceeding with an open-mind may lead to fulfilling multilateral abundance, with intuitive hierarchies inevitably developing, kept in check through reflexive consumption.
Are you too specialized too arcane too generic, too lacking in practical sense?, such questions can lead to a more diverse palette if one can be bothered to consider them effortlessly.
Aren't buffets the best a feed at the trough when they're well-prepared, plate after plate of sumptuous treats judiciously accompanied with varied desserts?
It seems like the will of the pandemic is to encourage lush virtual environments, but after spending so much time indoors it'd be nice to pitch a tent in Parc Jeanne-Mance.
Welt am Draht (World on a Wire) examines virtual realities as artificial intelligence emerges within them, layers upon layers of structural mimesis provocatively contemplating organic life.
Who's to say if this world we live in isn't a computer program ingeniously manufactured?
I used to think that until I broke my finger.
Related ephemera notwithstanding.
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