The Abyss

Undercover underwater exploration yields illuminated booty, as the navy teams up with rig workers in search of a lost submarine.

The navy's more concerned with the whereabouts of a noxious radical however, which may lead to mass destruction if acquired by belligerent ambition.

But as they're searching intent deep down they're freely greeted by a burst of light, accompanied by frisky cognizance and inquisitive concerned awareness.

The lifeforms initially remain aloof solely presenting themselves with hesitance, but they're crystal clearly lucidly detected as a feisty doc curiously ventures forth (Mary Elizabeth Mastrantonio as Lindsey Brigman).

Her feisty husband doubts the provenance of what she earnestly claims she's seen (Ed Harris as Bud Brigman), their upcoming divorce complicating things further as a storm approaches high above.

The aliens eventually appear for most of the crew in aqueous form, possessing the ability to transform water into a conscious mobile thermocline. 

But they get too close to the nuke and one of the navy personnel goes psycho (Michael Biehn as Lt. Coffey).

Deciding it's time to nuke them.

They were just trying to make new friends.

Severely critiquing warlike ambition while fluidly celebrating animate life, The Abyss problematizes piqued peculiars with maddening flush improvised contention.

It was made with concern for particular individualistic collegial resonance, so multiple characters alertly express themselves throughout both the merriment and the malevolence.

What's to be found deep down in the ocean's an enigmatic imaginative catalyst, I'm surprised these kind of films don't show up more often, so much submerged terrain remains unexplored.

Recall the episode of Star Trek: The Original Series where they survey the pleasure planet (Shore Leave plus Once Upon a Planet in Star Trek: The Animated Series), to fathom unpredictable eccentricities resolutely emergent in manifold epochs.

Could this idea have been ethereally transmitted by mischievous immortals living far below, equipped with an evolutionary laboratory hellbent on nourishing life?

The balance of nature is somewhat awe-inspiring in its multilateral environmental harmonies.

The omnivorous bear, the speed of the cheetah.

How do plants evolve to mimic their surroundings?

While that idea's rather ridiculous I can't deny I like television and film.

How does something mimic without consciousness?

An ethereal level unilaterally imperceptible.

*With Chris Elliot (Bendix).