Celluloid

Exotic alternative featherwing fathom

gargoilic flight itinerant strand,

innocuous stride jaded carcajewel

evergreen bowrider enveloped song.

Candid seclusion orcaestral cloister

aesthetic shroud velveteen verse,

enlivening shrug joyous sashay

delicate warmth elusive jive. 

Florentine refresh expedient spine

carmellow marshel floral elegance,

latent liaison subconscious swarm

meteeyore mingle preposterous gala. 

Mulletiquette merge bourgeois rebellion

insincere duty jitterbug vibe,

inarticulate vicar amorphous swathe

imperceptible stave sheer instability. 

Corresponding bloom interactive jam

swaggregatorial watershed wriggle,

comatoastie hyphen weathervanguardian

exclamatartarso baleinear. 

Frivolous foray bootcamp blazer

acrylic scripture limestone blues,

emblazoned barnacle suffrage surge

flagship frugality lunar eclipse. 

Flantrepreneurial blithe cherubim 

chillaxed cupidity fletching flex, 

beeswax brethren strident hive

honeycombrackenrig elixir distilled.

Breathtaking ballast temperamental shrill

awkward improvisation serumdipitous salsa,

by the light of the moon quixotic tenure

fanciful frequencies chill affinity. 

Industrious vision resourceful acuity 

cynosure sideline molecular 'moji,

maneuvering magpie acritical crux

aloof quintessentials brittle substance. 

Wholesome weetabixby homely incandescence

cherished camaraderie curious fold,

coordinates clashing sly dissimulation 

mystical conjuring mercurial clips.

Visual inertia ballpoint pendulum

chime illusion rustic clay,

vehicular speed resilient caution

baroque flow swift currentbun. 

Scrutable swishnet legible squire 

victual varmint dormant chant,

taciturnabout clam androgynous boulang'

satchel neutrino gossamer globe. 

A special time of year.

Romantic. 

Chill. 

Good Morning

Dashing undulation conundrum vibration distinct deconstruction anomalous motif, excessive earthenware tropical seclusion haphazard happenstance lithe resuscitation. 

Breathtaking burnish animate intake sedulous smarm audible iota, siesta cistern ebullient scowl treasure cheshire churl Romeow kowtow. 

Volcanic indigo luscious lugubrity exultant quake tornado traction, swirling sophisticates Socrates sojourn dialecTuring torpiddly testude. 

Dartnel doozy seditious clench incorrigible artifice flayed gesticulation, infinitesimal thrift iridescent moonshine engaged narcoleptic sugarbeet swoop.

Dissonant diletante brisk encapsulation pandromeda malt salubrious scion, steadfast ellipsis stalwart lobe omega maestro marigold slur. 

Palimpsest postulate discursive allegory improvised bulletin Nantucket news, wilderness waffling cerebral sentiment mortisane rigour halélélou. 

Seductive synergies ola oasis picturesque paradise celestial cruise, vehicular voisin soluble circuit erratic decompression hark carbone. 

Nimble encampment forested Fresca feverish fireside mountainous 'mallow, abeyance alight solace configured cavalcade coastline balustrade buzz. 

Singsong serenade innocuous utter aquifer 'ology haberdash swank, detailed disinterest commodified coda koala catalyst saffron luge. 

Heretofore halcyon auriferous yolk toastie taberknickknack fi-fye-foamfries, stately indifference complacent coaxing cajoled consignment indefinite flamb.

Stifling staccato pinpointed mottle cranberry twizzler doting dust-devil, transmutated transience simmering broth renaislàinte 'beration ursignatory. 

Lay back.

Give a demonstration. 

Casually observe.

Reiterate. 

The Italian Straw Hat

Acoustic consumption fiddlestick fuse emulsive disjunction stratified gruel, morning dove dojo crisp elasticity wandering wince enticed twinkle. 

Magpie crustacean hunchback domicile recital rigour contumely quand', delicious dairy solar extraction nautical nestuary aerodyne swerve.

Maladroit mumble sassafras fugue sycamore zealot pertinent trough, candlestick maker Frankenstein flam counterpinpointy insolent mollusk. 

Tangential Luca poissonion slumber indefatigable muse snippetty snaptitude, embellished snore lackadaisical crush flotsammy flock replenished jetsam. 

Overboard outputs Yucatan yodel byzantine clay humdrumhellarynx, intractable kitten carefree buzzard silocust floss insectivoracious.

Temporal 'mersion fedora flux exiguous dispersal entity croon, bodacious bellow cardiac quibble existential s'loon chortling chug. 

Gregarious guffaw crow's nest crew indecipherable craving sarcophagus shingles, reanimate roundabout cervical sigil offhand bother covetous slug. 

Fractious omelette indefinite standstill 'calibur crucible fission frittata, Goldstein zest preponderant peel mellifluous rhind concerted squirt. 

Exit stage leftoverbroadwaylaidbacktrack unrehearsed libretto operatic shade, bygone impression radiant moog mercantile mingle shoreline stroke. 

Scatterbrained knickknack deciduous gloom alpaca undulate trailblazing polka, accordion swing elementary sound enlivening echo shimmering gong. 

Vintage granule mint inauguration festive dressing peppercorn hue, jade codextraction aloof composure laconic liturgies sawdust snooze.

Incredible backups balanced defence brilliant coaching superlative fans, ferocious sacks bold interceptions fantastic surge focused discipline. 

You will know your ways as if born to them - Dune (1984)

They say your drills were bloodless battles, and your battles bloody drills - I, Claudius (1976)

Broncos!    

Movie Crazy

December quill-equipped ensemble factor modiqualm quotient chordal fillet, exacting fluidity kinetic flow hypochondriac misgivings cardiac crux.

Gormandized jellephant cerebrawlroom efficacious boracle totemement salam, mi-mayo-mocha chandelier chattenoog gainsay fabricolé samima muse. 

Aesthetic distillate marshmallow boogie succulent vapour triangulated, chromosome quarters galaxatively hemisphere hallowed saturnine surf.

Boardroom ecclecutive javelin jounce indelicate quarrel varmintage vase, insufferable stratos aerosol Ambrose vinaigrotto cistern garrulous glade. 

Distended gaze immaculate swell elegant disposition batwing broth, inaugural neutre neurasthenic satchel insipiddly wrinkles countryside comb. 

Atypical blossom uncanny insights bewildering bloated exceptional novelty, cadalliance syndicate locomotive midriffs inspiring nerve elusive tangelo.

Tangerine splish naccensual nectar mandarin strobe fruitfulsummary, saracen sash atemporal frieze syncopated spunk vehicular gruel.

Cantina quartzy ancestral craze mammoth hymnautical melodic anthem, crucible clutch sporadic imploding camomile nettle sequential lament. 

Stagnant fertility hybrid-precipitate precocious swoon 'moticon marble, talisman toggle torrential steam ethereal aggregate cosmic mellow.

Splendiferous bog ostentatious fen impersonal auspices heraldic libation, rhythmic rhododendron salubrious sway byzantantrum breeze auricular beat. 

Sensory hommage commensurate cordial viaduct quackery gobbledygook, enigmatic jargon vernacular void infinite syntax fecund soil. 

Jamboree jostle jubilee jig Lafayeti haunts cochon d'inde, wilderness waddle coaxing aglow serenade sorghum tantalized truff. 

New situations can be inspiring. 

Especially as they become more familiar.

Trek on down the lane.  

Pick up a bike. 

Cruise through the city. 

The Suitor

A young bachelor eccentrically lives the imaginative life of the daydreaming mind, and sees no need to embrace the rituals generally distinguishing adult life.

His books and posters and music and films are artistically preferable to in-depth discussions, and inspire less quotidian materialistic dialogues throughout the idle instructional day.

But his parents see a difficult future for their adored son if he doesn't marry, and adamantly encourage him to seek relationships and stop obsessing about pop music.

Unfortunately, he's constructively lived most of his life at play in his room, and has no idea how to talk to others or indeed even start a conversation.

A series of awkward random shenanigans mischievously and haphazardly ensure, but nothing compares to the stunning stars he routinely sees on television.

He often proposes to the striking tenant who rents a room downstairs in his house, but she can't understand a word he's saying and they remain linguistically divided.

In a last ditch effort he seeks to meet his heart's desire, a famous singer.

Working his way in behind the scenes.

To his grand existential disillusionment. 

You don't see this subject taken seriously in that many sympathetic feature length films, the sequestered perennial youth at habitual odds with relational maturity.

But rather than lump him in with wild lunatics which at times happens in such scenarios, a way is found to compassionately showcase his alternative manners and social expressions.

The behaviour isn't vilified there's sympathy for the amorous non-conformist, a comic account much more conducive to eventual communal integration. 

I suppose I've never investigated how often this type of narrative shows up in film, I just know I rarely see it and have only really heard it mentioned in British pop songs. 

I'm therefore quite impressed with Pierre Étaix's lighthearted cinematic début. 

Not as elaborate as the versatile Yoyo.

Still sewing the seeds of daring exhibition. 

What Happened Was . . .

A date.

A get together.

Both parties unsure what to do.

It's their first romantic conversation in a while.

Good impressions sought.

Along with good food.

They both work at a law firm but aren't in possession of law degrees, their crafty assistance still essential no doubt to the smooth flowing distilled jurisprudence. 

Jackie (Karen Sillas) likes Michael's (Tom Noonan) sense of humour and the way he proceeds with a lighthearted touch, no stilted airs or predetermined fussiness generally complicating his reliable work.

She's straight up and borderline daring as she honestly shares pastimes and preferences, with little interest in codes or concealments she genuinely delivers the dependable goods.

But she simultaneously doesn't disseminate emphatic criticisms and dissonant avowals, perhaps not wishing to spoil the evening with ornery uptight imperious outbursts.

Perhaps also she's just sincerely curious and realizes you learn more by embracing interest, or at least may generate something prolonged or won't have to keep meeting new people quite so often.

He's uncertain as to how to proceed since he's suddenly encountered direct honest innocence, and isn't used to unceremoniously sharing honest thoughts and open revelations.

The suppressed yet cognizant snob deep within is overwhelmed by the freeflowing gratitude, and he begins to feel somewhat humble and suddenly re-evaluates his bold declarations.

He also starts telling the truth and feels rather embarrassed as he awkwardly does so, but she's worried she's somehow upset him, he's somewhat blind to the catch he's found.

What Happened Was . . . thoughtfully examines insecurity as it engages in unscripted exploration, suddenly abounding with practical material to realistically characterize imaginative fluctuations.

They're both unprepared for reality but she's a little more willing to experiment.

A perfect film if you're worried about dating.

Or would perhaps rather never abandon the single life. 

Toni Erdmann

The unexpected smile, the medium coffee spontaneously upgraded, surprise Thai food, microbrasserie du Lac St-Jean, discourses of extemporaneity startling and surprising with lighthearted charm and velvety enchantment, extracurricular cuddles, subtlety delicately embraced, yet it doesn't have to be so cozy, so huggable, the art of introducing mild-mannered bizarre yet keenly shocking escapades to a routine having been disruptively cultivated by a few, mischievously mutating manifestations genuinely juggling various psychologies in sundry situations to produce desired wtfs?, perfecting their grasp over a lifetime, to pluck up and stack anew.

Maren Ade's Toni Erdmann addresses such potential by placing a loveable creative comic within a corporate crucible, his goal, to cheer up his successful yet sad daughter, who's living the high life yet shovelling the coal.

She's none too impressed, but dad (Peter Simonischek) keeps showing back up equipped with alternative personality.

She can't deny that he's funny.

Nor that he radiates goodwill.

But it's not really a comedic film, not really a drama either, Toni Erdmann's more like a brilliant presentation of the seriously awkward which patiently and articulately synthesizes different lifestyles to hilariously and sensibly simplify choice.

Films that are almost three hours long which cleverly clasp your attention the whole way through are a rare treat, especially ones which realistically examine so many different aspects of the human predicament without directly moralizing, judiciously justifying scenario after scenario instead which simultaneously intensify while lightening lives lost and lounging.

Material taken on the road.

There's a chill extended shot which builds Erdmann's character early on. He's sitting next to an elegant stone wall which resembles aspects of a wild ocean that's been thoughtfully tamed.

Throughout the film he playfully interjects harmless doses of character to sharply strung financially volatile vectors, character which appears wild at first, but he does so with such well-timed respectful controlled im/precision that nothing ever wantonly swerves out of control.

Chaotic stability critically conditioned.

The script reflexively blends hierarchical configurations with nimble finesse and stressed out soul.

The last 25 minutes are so freakin' good.

Réalité

Malcontent enabled extractions, meandering like constipated reflexologies, prolifically backed-up, essentials, blunt banalities, a study of purposeless toyed flanked robotics, the aimless and the asinine, fluctuating between two worlds, a groan's canonization, bewildered supine prophylactics.

Resisting closure.

Residual repose.

I think this is how Quentin Dupieux approached Réalité.

I'm probably wrong.

Often in bizarre films concerned with the pointless mundane aspects of existence there are still some exceptionally peculiar hooks that pull you in to consider attaching the cult classification to their inanities.

These aspects, while present in Rubber and Wrong, are largely absent from Réalité, it's hopelessly unconcerned.

Its firm contempt for any kind of interlinking commonality, for any kind of rapport with films other than those I've already mentioned, is bold and risky if not rash and burdensome.

Unfortunately, while this bold risk takes a rebellious stand, the hooks that made Rubber and Wrong so commendable are missing in action, and although it's possible that Quentin Dupieux is comically ripping himself off, thinking, I'll make this as obtuse as possible just to see if my reputation can still guarantee unconditional applause, there's nothing really present in the film that would make me want to see it again.

Unless there's a Quentin Dupieux night being held somewhere.

At which point I would give it another shot.

I'm trying to develop a social motif wherein every time I walk past my roommate I say something pleasantly awkward.