Hunt for the Wilderpeople

A self-sacrificing angel emerges from the voluminous depths of contempt and disregard to unite two trouble making misfits in her overflowing celestial bounteous embrace.

Bucolic style.

Yet cruellest fate seismically disillusions their blossoming intimacy and the two are left unsheltered and forsaken as child services demands young Ricky's (Julian Dennison) return, and he would rather dwell in the forest than suffer neverending urban severance.

So to the forest they go, where Hec's (Sam Neill) scrappy knowledge cantankerously ensures they avoid capture, until what begins as a minor local disturbance becomes a nationwide media sensation, every detail wildly blown out of proportion, unknown contingencies, flexibly furbishing controversy.

Endured.

Respiration.

With neither plans nor provisions they prosper in plight.

Tangential tandem.

The film's hilarious.

Taika Waitit's Hunt for the Wilderpeople slowly and patiently ruffles fecund empiric feathers, the kind of film which might have flounced in less capable hands, but, rather, continuously stylizes lighthearted yet hard-hitting situations which leave you eagerly anticipating the next fundamental improbability, interest compactly impacting, like a tumbledown tapestry with auriferous attitude.

Two people who can't fit in anywhere are hunted down like British fox as they begin to forge a friendship which the Man instinctively seeks to tear asunder, the irony a profound critique of the system hoping to otherwise civilize them.

The soundtrack backs this up.

Some cool Terminator references.

A film the whole family can watch, even family members who dislike watching films the whole family can watch.

Lol!

Music by Lukasz Pawel Buda, Samuel Scott, and Conrad Wedde.

Evidently.