Friday, August 26, 2016

Anthropoid

Penetrating im/pounding extremes, every micromovement scrutinized, every act commanding pressure, evasion, occupying hostility, bestial barbarous butcher, the Czechoslovakian resistance responds with succinct furtive gravity, a clandestine mission necessitating collective stealth, probable reprisals hauntingly staggering, the goal inter/nationally paramount, assassinate Reinhard Heydrich, and deliver a devastating blow to Nazi Germany.

Expedient precision.

Resilient nerve.

Sean Ellis's Anthropoid is a serious war film.

In fact it's the best war film I've seen in years.

There aren't any chummy exaggerated shenanigans, no consistent bombastic explosions, the soldiers barely have any resources, they're organized but years of grotesque repercussions have left them divided, there's a complicated objective requiring superhuman strength but its subjects are realistically afraid and hesitant, which inculcates sage humanity, cool heads still prevailing to keep things discreet enough to avoid despotic detection, ordinary people making extraordinary sacrifices like the recruits described by Saint-Loup, almost every character given a crucial role, courageous exceptional multifaceted desperation, like they really are fighting a war, and proceeding with requisite solemnity.

Heads kept level even as love's warm embrace lightens the tension, loss still generating overwhelming emotion, kindred spirits who would have otherwise been at play.

Goals motivating ubiquitously.

The different ages of the characters are written remarkably well.

Imperfect markspersonship.

Horrifying punishments.

Maturity comes of age.

Poise.

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