A clever incapacitated curmudgeon fluidly expresses existential laxity, thoroughly unamused with bells and whistles or anything whatsoever other than drink (John Heard as Cutter).
He has good friends committed to taking care of him to delicately nurturing his troubled spirit, the job rather difficult at times since he's prone to bursts of antagonism.
But one of them witnesses a man who likely engaged in the act of murder, yet is unwilling to talk to the police since the volatile subject is rich and powerful.
His lack of natural daring reawakens Cutter's sense of adventure, his innate romantic composure swiftly shifting back to cavalier.
His judgment's still somewhat hazy insofar as he thinks his plan will work, that he can blackmail the notorious oligarch and then turn him in once he pays up.
Richard Bone (Jeff Bridges) and Cutter's partner (Lisa Eichhorn as Maureen Cutter) are noticeably less enthused, but Cutter's seen quixotic daylight and can't turn himself away.
He's like a pirate with no ship mundanely caught up with static landlubbin', with his discerning eyepatch and peg leg potential picturesquely protocolled in caricature.
Inherently independent, salty sea bound stray severity.
Without a goal in sight he's reckless letting loose on routine convention, forgetting what it means to be neighbourly, somewhat of a menace at times in fact.
But his youthful unwavering reckoning does eventually compensate, certainly not for his neighbour's car, but perhaps for endemic eccentricity.
Perhaps an outcast amongst independent swashbuckling critical hopeless endeavours (the film), due to its fatalistic attitude about Vietnam, and its initial outburst of vulgar racism.
As a tragic protagonist Cutter is a bit hard to take, the transformation of hope into fatalism generally producing resonant discord.
Boredom generates malcontent flourishes, but doesn't have to aggressively assail, everything found in the immediate vicinity including others who are bored also.
It's cool when bored people get together to put on a play or make a YouTube channel. Start a small business of some kind. Perhaps a restaurant. A local sports league.
But Cutter needed the epic to revitalize his distraught soul.
And as he becomes proactive it impresses.
The final moments are exceptional.
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