Friday, March 13, 2020

Onward

I hope everyone's safe during these stressful times. I'll probably be focusing on movie rentals for the next couple of weeks but I did see a couple of films before things intensified.

Pixar's Onward presents a world wherein which fantasy has been replaced by modern convenience, elves and unicorns and cyclopses living suburban domestic lives, the thrill of questing overwhelmed by scientific adaptation, latent strengths subconsciously shimmering, unplanned adventure accounted for otherwise.

Two brothers playfully reckon within the alternative conception, one shy and focused on school, the other wild and reckless and daring.

Their mom (Julia Louis-Dreyfus as Laurel Lightfoot) has boldly raised them alone, since shortly after the birth of her second son, but she's found a new partner who helps out (Mel Rodriguez as Colt Bronco), the two forging a caretaking fluency.

Which is suddenly tested and challenged on Ian Lightfoot's (Tom Holland) 16th birthday, after he receives a gift left to him by his generous dad, a staff no less of wizarding renown, complete with a spell channelling reincarnation.

The elder Barley (Chris Pratt) seeks to wield its resiliency, for he's in touch with bygone days of yore, but he lacks verified authenticity, his spirit still ye olde die hard.

He's impressed when Ian the younger accidentally generates vision, but his sights fall short of reanimate goals, a quest necessitated sparked thereafter, the two departing with accents fateful.

And to hasten their destined good fortune, old school clues still commercially abound, a path purposefully and piquantly pinpointed, through cloaked coaxing postmodern realms.

Not this blog.

A puzzle at a Manticore's (Octavia Spencer) family restaurant.

The Manticore soon following in hot pursuit.

Accompanied by one concerned mom.

An imaginative synthesis of disparate epochs awaits in Onward's fraternal reels, as uncertain raw ambitions clash with preplanned determinate yields.

Reminiscent of long lost considerations concerning the cost of extant classics, their prices incongruously reflecting their contents, their value oft overlooked, disregarded.

Yet these classics still hold precious astral ascensions beheld by generations long passed, their texts emitting contemporary resonance distilled like essential tranquility.

Onward perhaps doesn't reach such a level but it still reverberates with atemporal antiquity, focused on vigorous concentrate, bizarro bewitching indiscretions.

Perhaps something's been lost in recent centuries as technology's progressed exponentially, as appliances ease once ubiquitous burdens, as knowledge globally and internationally expands.

But you can still find that primordial spirit should you have the will to seek it, as simple as a trip to Parc Jean-Drapeau, or restaurants chosen at random.

There are many ways to fill your life with unfiltered excitement, classic art, walks in the woods, and good food just the tip of the iceberg.

But we've more or less lost some ways that used to be quite destructive too, such as global conflict and fast spreading diseases.

So remember to proceed with caution.

In case you don't like what you find.

I'm looking at you coronavirus.

I support strong measures to prevent it from spreading.

The medical personnel who have to fight it are risking their lives.

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